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How Gen-Z is using sad music as a coping mechanism

Olivia Rodrigo’s debut album Sour brings breakup music to a fresh-faced audience.

In a world where adults scorn teenage relationships as shallow and impermanent, Gen-Z has embraced her pithy angst with enthusiasm.

Her hit single “good 4 u” was met with adoration from young people all over the country, singing to the tune of Rodrigo’s heartbreak.

Rodrigo was able to voice the younger generation’s pain in a way that many connected with, and her sales numbers prove the resonance of her voice.

But why are so many people drawn to breakup songs, music that reminds us of our own heartbreak? At moments in our lives when we’re feeling at our worst, wouldn’t it make sense to listen to happier music to cheer ourselves up?

Turns out, it’s helpful to dwell on negative emotions instead of trying to suppress them.

The first step to healing a wound is acknowledging that it exists

The first step to healing a wound is acknowledging that it exists, and music can be a great way to facilitate that emotional processing.

The listener experiences vicarious sorrow through a performer’s sad song, and by using this music as a mediary, they can release some of their own sadness.

This purging is also called catharsis, the purposeful indulgence of repressed emotions as a means of finding relief.


Catharsis through sad music

The benefits of catharsis through music can be traced all the way back to Ancient Greece: Greek philosopher Aristotle believed in catharsis through dramatic art.

He argued that full, intense immersion in the tragic forms of art would allow one to let personal emotions go.

Considering Olivia Rodrigo’s legions of fans, that claim still holds true today.

via GIPHY

But why does it help so much to hear someone else’s woes put to music, instead of directly acknowledging our own? Has the business of entertainment turned us all into voyeurs?

To find an answer, we should consider the sadness baked into the foundations of American music: the blues.

Blues music was one of the earliest and most influential genres to take shape in America, giving rise to jazz, R&B, soul, and funk later on.

It was a genre so synonymous with suffering that the ‘the blues’ was a shorthand phrase for someone feeling down, or catching a ‘case of the blues’.

For the African-American communities who invented it, expression through music was a way for them to give voice to their pain, and share it with sympathetic ears.

The blues ethos was a tough-as-nails spirit, a desire to sing at the times most people would be crying.

Live performances of blues music happened in juke joints, popular gathering places for black sharecroppers barred from white establishments, which set the tone for many of the songs performed there.

Chicago Blues Guitar GIF by Muddy Waters - Find & Share on GIPHY
GIPHY

It would have felt disingenuous to sing about sunshine and rainbows considering the social circumstances of the black community, so blues singers headed forwards with unflinching honesty about life.

These performances acted as a joint catharsis: the performer let loose their feelings through music, and if the song was any good, the listener was overwhelmed with their own emotions.

These musicians transformed sorrow into collective experiences of music and joy, connecting the community through shared pain and the desire to keep singing in the face of everything.


Sad music is honest about life’s ugliness

This honesty about life’s ugliness is a large part of what made blues music so appealing.

At grocery stores, restaurants, and shopping malls today, loudspeakers pump out danceable music about our big, beautiful world, full of possibilities.

Chirpy auto-tuned voices sing about loving yourself and loving others, while our phones are beaming a constant stream of Ukrainian refugees, mass shootings, and pandemic deaths. When we’re struggling through rough patches, this happy music can feel hollow instead of comforting.

No one wants to hear songs about how everything is wonderful when they see the world burning around them. Hearing sad music at these times can be like a breath of relief: relief that someone is feeling the same way as you.

Sad Normal People GIF by BBC Three - Find & Share on GIPHY
GIPHY

The magic of sad music is how it transforms sorrow and human suffering into a beautiful piece of art, worthy of appreciation.

It appeals to the unavoidable nature of sadness, or at the very least gives us the sense that someone else understands our pain.

Through sad music, we can acknowledge that negative emotions aren’t evil. They’re another part of the human experience, and something that we all must reckon with.

LGBTQ rap collectives are here to stay – and we couldn’t be more proud

Something close to alchemy happens when rap collectives make music together. Differing voices, perspectives, and styles collide over the beat, materializing in fresh, exciting musical ideas.

Often, the work done in rap collectives invents new horizons for the genre. Many forward-thinking artists of our current time have emerged from the collective melting pot: Kendrick had his beginnings in Black Hippy, ASAP Rocky in the ASAP Mob, Tyler, the Creator in Odd Future. 

Foundations for this kind of music-making were built long ago. Groups from the 80s-90s like Wu-Tang Clan, N.W.A, and A Tribe Called Quest proved the strength of a collective approach.

Yet, the boundary-pushing sounds of the collective are at odds with rap’s strict ideas of black masculinity, steeped in homophobia.

Homophobia in rap

Hip-hop from this time displays a deep uneasiness with queerness. These earlier songs are lined with perennial, reflexive defenses of ‘no homo’.

There was a necessity for rappers to appear masculine, which was measured by the amount of women they could get. The credibility of their music rested on this x-factor: the rapper needed to project the image of a player or a baller, someone with an enviable position in society.

Conversely, gay men were at the bottom of the pecking order. No one wanted to be associated with the stain of queerness, even indirectly through music, given the chance it might rub off on them.

Well-documented and often blatant instances of homophobia come from these older records. Beastie Boys wanted to name their first album Don’t Be A F****t, a move that was rejected by their record company, who instead titled the record Licensed to III.

A Tribe Called Quest, though considered more progressive by contemporary standards, still included explicitly homophobic lyrics in their music. In “Georgie Porgie” off the album The Low End Theory, Phife Dawg raps,

“In the beginning, there was Adam and Eve / But some try to make it look like Adam and Steve […] Oh my God how gross can one be”.

Phife Dawg, “Georgie Porgie”

Q-Tip takes this further at the end of the song, openly admitting his homophobia and daring the listener to do something about it:

“Call me homophobic but I know it and you know it / You’re filthy and funny to the utmost exponent”.

Q-Tip, “Georgie Porgie”

Rappers breaking barriers

In recent years, rap has seen a steady trickle of mainstream artists willing to embrace their queer identities.

Frank Ocean of prominent collective Odd Future broke into the commercial mainstream with his albums “Channel Orange” and “Blonde”. In “Bad Religion”, he laments his unrequited love for another man.

“I can never make him love me / Never make him love me / It’s a bad religion / To be in love with someone who could never love you”.

Frank Ocean, “Bad Religion”

Over time, other members of Odd Future joined the wave of rappers coming out. Tyler, The Creator, once a braggadocious upcomer hurling gay slurs, has gestured towards his own possible queerness in several lyrics on Flower Boy and IGOR.

The song “Garden Shed” is an extended metaphor for living inside of the closet, but he uses far more direct language on “I Ain’t Got Time”, saying “I’ve been kissing white boys since 2004”. Syd, another member, has openly embraced her queer identity.

In an interview with LA Weekly, she said “The world is just now starting to become open about homosexuality. I can’t really say I’ve contributed to that, and I’m grateful to the people who have set a path for me to be who I am today. And I guess in that sense I want to return the favor.” 

Flood Magazine

Makkonen Sheran, better known by his stage name ILoveMakkonen, came out as gay in 2017. He cut his teeth in the Phantom Posse, an NYC-based collective, and soon gained renown in his solo career with the 2014 breakout single “Tuesday”, featuring Drake.

He announced on a now-deleted Twitter account that he was gay: “As a fashion icon, I can’t tell u about everybody else’s closet, I can only tell u about mine, and it’s time I’ve come out. And since y’all love breaking news, here’s some old news to break, I’m gay. And now I’ve told u about my life, maybe u can go [live] yours.”

These trailblazers have played important parts in shifting the culture towards more mainstream acceptance of queerness. Both the Beastie Boys and A Tribe Called Quest have pivoted away from their prior homophobic stances.

Ad-rock apologized to fans in a letter apologizing for “the shitty and ignorant things we said on our first record”. A Tribe Called Quest released a track called “We the People…” in 2016, criticizing Trump’s treatment of minorities, including LGBTQ people.

More and more prominent allies are emerging with time, and hopefully opening a space for all voices to be heard in rap.


The queer future of rap

More than ever, young collectives are embracing queer voices. The pressures to maintain a masculine image have lessened among many, leading the way toward more honest expression in rap. 

Brockhampton is also a notable example. The 13 member group has become one of the most popular rap collectives in recent years, hitting number one on the Billboard 200 with their album Iridescence.

They insist on calling themselves a boyband, a term is usually reserved for groups of floppy-haired, dimpled heartthrobs. Boybands have a distinct effeminate association which they embrace with glee, a drastic departure from the hyper-masculine culture of prior collectives.

Lead man Kevin Abstract is openly, boldly gay, and makes it known through his music. When talking with Shortlist, he said: “I’d see negative comments and forget [being gay] was a big deal to some people, that some people hadn’t heard it before. My goal is just to normalize it. I have to express myself and who I am.”

The future of rap includes diverse perspectives, and this future will be planted in young collectives.

Rap, at its core, has always been a collaborative genre. It’s about improv, expression, and telling a story through words and beats. Shouldn’t all stories be welcome? 

Neighborhood gentrification is here: 5 photographers saving the block

As gentrification runs rampant through urban areas, more and more native residents are displaced. The gentrified neighborhood runs through obvious changes.

Be shook… neighborhood gentrifcation is nothing new

Gentrification comes with an architectural and demographic aesthetic, that is different from its original native residents. These 5 photographers document neighborhoods going through gentrification. 

1. Kristy Chatelain | Brooklyn Changing

Chatelain has been documenting Brooklyn’s gentrifying landscape since late 2006. In her long-term photography project, Brooklyn Changing, she uses rephotography to capture the parts of the Williamsburg and Greenpoint neighborhood before and after gentrification.

This project depicts pictures of some locations being demolished with new buildings erected in place, others show street art walls being replaced with new businesses. 

Check out the full project here.


2. Al J Thompson | Remnants of an Exodus

Remnants of an Exodus is Thompson’s first photography book dedicated to his second home of Spring Valley, NY. Thompson photographs his neighborhood undergoing dramatic changes.

This book is Thompson’s invitation to viewers to revisit the town he grew up in, the buildings that provided him shade and see the people in the community that brings a face to who gentrification impacts. 

Check out Remnants of an Exodus here


3. James and Karla Murray | StoreFront – The Disappearing Face of New York

James and Karla Murray offer a visual tour of storefronts disappearing due to gentrification in StoreFront – The Disappearing Face of New York.

These photos represent New Yorks, early small businesses and give viewers a nostalgic representation of the familiarity that these storefronts had. Many of these storefronts embodied the early immigrant population of New York. 

Check out Store Front – The Disappearing Face of New York here


4. Matthew T Rader | Old East Dallas Gentrification Photography Documentary 

neighborhood gentrification dallas
https://matthewtrader.com/ | Old East Dallas Gentrification Photography Documentary Part 9

Rader’s long-term photography documentary explores the gentrification in Old East Dallas through an analog lens.

In this 15 part and continuing project, Rader captures characters that would disappear and buildings that would be destroyed. This documentary depicts the negative emotions of the nature of gentrification has. 

Check out the Old East Dallas Gentrification documentary here

5. Yael Malka | The Views

Malka observes how gentrification consumes neighborhoods in The Views. The visualization of gentrification through the viewing panels at construction sites shows how gentrification first begins with the violent deconstruction of buildings. 

Malka reminds viewers how we walk by these sites and see the changes every day. 

Check out The Views here 

Spike Lee on Gentrification (Live in Brooklyn)

Sissi Lu shares her timeless love of film photography

With all the latest advances in camera technology, there’s still a very special place in the photography community for film photographers like Sissi Lu. Sissi shows us that beauty is timeless in film and with people.

We went back, closer to basics with Sissi, and talked about her, her development, and her project, A Word to the Young. As artists and the younger generation, we have a lot of wisdom to take in from our peers

Humble beginnings…

Sissi Lu film photographer
Sissi Lu, captured on 35mm by @mos-neammanee @Img.mos

Sissi started photography in college where she originally studied music but switched visual arts after finding her passion in photography. Since then she began her journey into film photography starting with a Nikon F3 and moving onto the well-renowned Hasselblad.

With only a year of sharing her work, she gained a huge following on Instagram and a continually growing youtube channel where she vlogs photo walks and her art project a Word to the Young.

A word to the young

Sissi’s long-term project a Word to the Young archives timeless wisdom for all generations whether it’s love, money, art. The older generation has a lot of experience and wisdom to share.

In a time with a huge generational divide, Sissi bridges the generational gap to connect the younger generation with the older. 

“I thought it was so unfair for older people to want to look young, instead of embracing their age, which I think wisdom, and knowledge comes from age. I think they should be rather proud of that”

– Sissi Lu

A Word to the Young captures portraits of the older generations along with advice that stems from years of wisdom and experience. Sissi captures these portraits on film, a medium which not many photographers explore due to the technological advances of digital photography.

Each portrait is beautiful, the expression and detail encapsulate age in a magnificent way.


A word to the older generation

One of the messages emphasized in Word to the Young is teaching the younger generation to not brush away older people because of their appearance, the other message is for the older generation.

Sissi wants viewers of her art to know the beauty that comes from being older. 

“I always tell them, when I approach them that they look beautiful. I think often they have  forgotten how beautiful they are, and just how  kinda their smile is.” 

– Sissi Lu

Navigating the new network while keeping it old school

For photographers, exposure online is as important as the exposure while taking the photo.

In such a short time frame of shooting film photography and showcasing her work, Sissi has gained an impressive following with more than 27 thousand followers on her Instagram.

“Think of it [social media] as where you show your friends on the internet what you do. Keep it genuine and keep it pure. If you’re very genuine and pure, they will start liking what you do”. 

– Sissi Lu

What makes a good film photograph 

For aspiring film photographers of all generations, Sissi offers her own piece of advice. When asked the question “what makes a good photograph”, every photographer will have a subjective answer. Some may say use of light, color, or expression, for Sissi it’s about accessibility. 

“A good photograph shouldn’t take an artist’s eye to notice. A good photograph should translate to any people. The people who don’t speak your language, the people who don’t understand your story, the people who just pass by, could be young, could be old. ”

“A good photograph should translate what you mean to anyone…”

– Sissi Lu

In the description for Sissi’s YouTube channel, UNDR DVLP she says “we are always learning, and that’s what makes us underdeveloped.” As creatives and as humans in general, this is the most important piece of wisdom we need to be reminded of every day. 

Final words from film photographer Sissi Lu