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No skips: Why Mustard’s ‘Perfect Ten’ is the hottest album of the summer

Mustard is a Cali-bred DJ and producer who coined hip-hop’s dominant sound. Over the years, Mustard has crafted solid bangers for the likes of Tyga, Ella Mai, 2 Chainz and of course his musical compadre, YG.

However, Mustard’s list of hits is never-ending because of the never-ending demand for that “ratchet” sound. Notwithstanding a month, his latest album Perfect Ten peaked as No. 8 on the Billboard 200 with 60,000 plays to date.

For Perfect Ten, it’s safe to say that Mustard wasn’t playing this time around. Consequently, Mustard featured many dynamic features for his latest album. He goes even further to pay homage to his birthplace by adding some West Coast influence and spitters as back-up.

On God, Mustard made a vibe for all occasions on this project. However, the real heat from Perfect Ten comes because Mustard spoke it into existence.

The Perfect Ten intro

Perfect Ten starts off with a track that’s sure to make the whole West Coast bounce called “Intro.” A sample from Shai’s, “If I Ever Fall In Love” and fire bars from 1TakeJay makes this album slap from the get-go. Leaning more towards a sped-up tempo hi-hat & light snare the real hype commences when 1TakeJay lets his out-of-pocket rhymes flow with never-ending energy.

Over the unique instrumental 1TakeJay delivers humorous yet clever punchlines with no care in the world. Essentially he speaks on how he’s got tons of blue checks in his “FatBoy” pockets, his ice, drip and the many women around his arm.

The name behind the album Perfect Ten comes from a place of accomplishing the absolute most. In an interview with Billboard, Musard touched on the reason behind the title and its importance.

“[My friends] were like, I should name my album Perfect Ten — because it’s like, you got all the cars, the jewelry, the house, you got your sister a house, you got an artist, you won a Grammy, this is probably the best year of your life…”

Image result for dj mustard gif


Pure Water

“Pure Water” featuring Migos ranks as No. 17 on the Billboards to date. This track alone seems to be a music gem for all radio stations because it’s played at least once every day. “Pure Water” is also a big indicator of Migos and Mustard’s success and for the remainder of 2019, it’s going all the way up.

Production-wise, “Pure Water” is infectious. From the distinctive pitch in the backdrop to the stacked up hi-hats, spacey synths, and fluctuating bass, the song categorizes itself as a vibe.

Coupled with the soundscape, is the catchy chorus which seems to honor “Master P.” The first member up, Quavo adds insanely witty punchlines like “Hop in the coupe, then I slide like it’s Vaseline.”

Afterward, Offset goes in about his trust issues but mostly circulates it around thots and dudes on patrol. When it’s time to go, the third member of the trio isn’t afraid to Takeoff. Even though his verse is short, it bangs regardless.

The most memorable entendre comes from his introduction which is clever yet subtle, “T-Takeoff, no limit to the money.” In particular, this line refers to the record label he’s signed to and his net worth of $16 million. Overall, the song gives them room to flex off their jewelry, foreign cars and the bad b*tches around them that look like masterpieces.


On God, this tape slaps

Coming in with undefeated energy and victorious production to match, “On God” featuring YG, Tyga, A$AP Ferg, and A$AP Rocky uses hints of sporadic hi-hats, electronic synths, and a combative bass to solidify the pep their rhymes step with.

Contrary to some believing that these heavy-hitters are all talk, all four assure that they wouldn’t be putting it on a higher power if they were. While YG comes in with rapid bars that leave all naysayers in the dust, A$AP Ferg takes a piece of E-40’s flow and uses it to flex at an all-time high.

In midst of this, A$AP Rocky comes in extra trill with a little rhyme play on OD in these two lines. “On G-O-D they on my B-O-D/I’m with the AOD, it’s a G-O, here we go.” However, the spitter who takes the trophy home is Tyga. He solidifies his comeback from the jump!

Besides his sick line, “Pray for me, niggas love and hate me, bunch of Judas,’” T-Raw drops some gems for everyone to live by. My favorite has to be when he speaks briefly on how he’s gotten to this point.

“Factory Patek, blood, sweat, tears, yes/Buy your mom a house, then we could talk then/I got four payroll, I’m the big man/Ten toes, never fold, stick to the plan.”


Mustard makes it look easy but they don’t know what it takes

“Baguettes In The Face” adds a Spanish guitar riff, faded base and hi-hat to Perfect Ten’s equation.

Specifically, “Baguettes in The Face featuring NAV, Playboi Carti and A Boogie Wit Da Hoodie starts off with Nav rapping in melodic autotune to explain that yes, it isn’t easy.

Mustard told Variety:

“I wanted something different. I wanted to bridge the gap between L.A. and Atlanta and New York. That’s why, like, on the song “On God,” I have [A$AP Rocky and A$AP Ferg]. That’s a song that you would never expect from them. Same with Nav [on “Baguettes”]. I wanted to be different.”

While making it takes a lot of hard work it’s worth it because then, you can splurge (with ease) on the finer things in life like these three. Likewise, Playboi Carti comes in with his signature high-pitched flow to also brag in the illest way.

Then A Boogie comes in with his Mr. Steal-Your-Girl mood — bluntly spitting about how he’s not looking for commitment.


Mustard paves his lane for the next 10 summers

“It’s a continuous rat race. All the time, there’s something new to get.” – Mustard, Billboard July 9, 2019

“Interstate 10 “featuring Future pays homage to Future’s birthplace, Atlanta. Funnily enough, the production sounds somewhat similar to “Go Loco” by YG.

The difference is that Mustard lets the Latin derived guitar do its own thing with the support of a commanding base.

More money-oriented, “Interstate 10” speaks on how vultures come with the territory of banking in on millions so it’s best to stay weary and build your empire on the low.

Future assures all that the lifestyle he lives isn’t easy. It took him a while to get where he is. Without a doubt, he had to stay on his P’s and Q’s.


100 Bandz deep

The exotic dancer anthem of the century, “100 Bandz” featuring Quavo, YG and Meek Mill makes you want to throw some on a big old booty just because you can! If the title doesn’t give away what the song is about then you’ll pretty much hear it in their lyrics.

Besides some braggadocios bars about making money and freaking girls — Quavo delivers the chorus with unforgettable ad-libs while YG and Meek Mill go bar for bar to see who can bring the most heat in the inferno of music.

“At this moment, right now, I’m making this album and it feels like my life is perfect. Sometimes, I wake up like something’s gonna go wrong because it’s going too good.”


Woah

“Woah Woah” featuring Young Thug and Gunna “keeps it crucial on some project shit.” In particular, Young Thug goes a different route to match with “Woah Woah’s” slow tempo.

But that doesn’t stop the Thugger Thugger from openly speaking about girls and jewelry at a mile a minute. At most, “Woah Woah” is one of the smoothest tracks off of Perfect Ten.

The production really captures the essence of real diamonds and luxurious living. Coupled with the snaps, 808’s and mesmerizing piano riffs, Mustard adds a sweet touch of warm synths.

Like Thugger, Gunna speaks on his “jewelry box that looks like a bag of Skittles” and how he has no time to freak in the sheets with a girl. But the main difference is that he reflects a bit on those who hurt him in the past.

Still, it’s important we flex on those who have hurt us in the past and those who are just mad at our glo-up. Mustard said in an interview with Sway:

“Shoutout to everyone that’s mad at me. I’m not mad at you though.”


Just scratching the “Surface”

Amid the bounce, heavy bass and hi-hats — Mustard puts it to a halt for “Surface” featuring Ella Mai and Ty Dolla $ign.

He truthfully went hard in the studio for this track. He explained in his interview with Billboard that after Ty sent over his vocals it took him an extra two days in the studio to figure out the drums. That was after the fact Ty almost didn’t make the album because of a last-minute song swap.

Still, both Ella Mai and Ty Dolla $ign go for dynamic vocal swings in midst of plush-like production, steady bassline, and electronic synths.

Ella Mai blatantly sings to Ty Dolla $ign that he better cut off the others because he’ll miss out on his blessing. But it seems that the songstress has it all wrong. In fact, Ty Dolla $ign assures her that she’s the only one who he wants.

“Day or night, I swear you’re always on my mind” he sings. The soul in their voices is truly breathtaking. Don’t make this song be the one that got away.


“That Roddy one?”

According to Billboard Kanye was knocking to Mustard’s “Ballin'” heavy. After both legends listened to Perfect 10 Kanye said: “This is — this is your best one!”

With yellow diamonds on him that look like lemonade, Roddy Rich glimmers his flexicurity in “Ballin’.” In the first snippet of the song, Mustard uses a sample from 702’s song “Get It Together” then suddenly, the beat picks up the pace with hydraulic synths, 808’s and outburst of high pitched notes.

Like the other artists, Roddy Ricch gives a little backstory on how he got to where he is today.

“Young nigga on the corner, bitch, I had to serve crack/Uncle fronted me some P’s, had to get them birds back/We came up on dirty money, I gave it a birdbath.”


Legends never perish

Lastly, “Perfect Ten” featuring Nipsey Hussle aspires those listening to reach new heights. For those who don’t know, Nipsey Hussle was a phenomenal innovator in the hip-hop game.

For sure Mustard had a big-bro vibe with the late prophet. He told Variety:

“We did that song, ‘Perfect Ten,’ a month-and-a-half before he died. That was the last song me and him did together. We had a big-bro thing going. We always talked about family, the kids…

Mustard continued:

“He was taking about what he had coming up – he thought he had all the time in the world, for music and everything else that he wanted to do. We had a really good relationship.”

To say nothing of his serious food for thought, Nipsey Hussle also passes along what he’s been learned throughout his journey. In an interview snippet that places in as the hook of “Perfect Ten”, he says:

Sonically, “Perfect Ten” uses a somber guitar chord progression that’s strung in its highest and lowest chord. Above all, Nipsey Hussle tries to tell these wannabe thug rappers that it’s time to focus on something important. Having knowledge and wisdom is everything. A facade isn’t.

At its best, Perfect Ten makes the thermostat tweak because it’s the closest thing to the sun. Sure, the project has braggadocious rhymes but the real message lies under the artists’ stories of struggle.

Perfect Ten goes to show that hard work pays off. I mean take Mustard as an example, he dropped “DJ” out of his name because he’s been constantly evolving. In a word, Perfect Ten is the epitome of bangers fused with success stories and diverse production.

7 summertime anthems to vibe out to before it gets brick outside

Ah, summer. We love it, some even hate it. Regardless, this sultry season gives us the perfect excuse to either build relationships, act up, or kick our feet in the sand. 

Despite the risen temperature being out of anyone’s control, this summer has left us in charge of a couple of things and one is to pick the perfect summer anthem. If one were to be given the aux in this particular month, they’re expected to “keep up with that same energy” just like the sun.

Sadly not a lot have the means to search for the perfect tune all day. And so, nine times out of ten they’ll put on the same songs they’ve grown accustomed to. Luckily enough, Kulture Hub has got the heat.

These songs are enough to throw up some fire emojis! Before its time to turn over a new leaf, I’ve specifically picked seven summer packed jams that are sure to make even the coldest emcee in the game sweat.

1. Some “Summertime Magic” for your sunkissed shawty 

As the summer settles in, this song goes on to be a prime example of why we enjoy those nostalgic moments spent with a sun-kissed shawty. The title “Summertime Magic” alone informs those listening closely that the beat will go off in the hottest way.

From Childish Gambino’s soft crooning to his vocal runs of “do love me, do love me, do” to the infectious bongo and erupting base — it’s sure to have anyone sprung before cuffing season hits!

“Summertime Magic” is only a snippet of the many vibes Gambino has created. In fact, if you haven’t checked out his song “Feels Like Summer” I suggest you do, it’ll surely crank up the heat!


2. We all need some “Virgo” energy

The type of joint you’d play with the sunroof down, “Virgo” is prone to make anyone’s head peep out of the clouds. In particular, Rejjie Snow’s monotoned spitting gives every synth and trumpet leeway to scatter around the base.  Still, the listen is very enjoyable because of its feel-good vibe.

Keeping up with the upbeat tempo, he collaborates with Pell who lays out some bubbly, strong vocal runs in the chorus. Anyone that’s linked up before with a partner-in-crime knows what it’s like to cause some havoc and these do just that!

From their undeniable chemistry to the interspersing soundscape, “Virgo” is very playable for your mama and baby brother. Prepare to sing at the top of your lungs. As the neighbors scream to “keep it down,” the roof shingles will continue to rise. 


3. Don’t we all “Belong In The Sun”  

https://youtu.be/zNdq2gQBSSw

A day on the sand (or yacht) just wouldn’t be complete without “Belong In The Sun.” This song displays everything a warm, sunny day should consist of: Cool and collected waves with slick talk.

Yet the deciding factor on genre derives from the lightly strung guitar chords, ukulele, and drums. At most, this song takes bossa nova head-on while throwing in some smooth rhymes from ¿Téo?.

This song is guaranteed to swim down your ear canal with its many exceptional transitions. Here, he speaks about a little shawty who he wants as his own. The most memorable line:

“I said hey baby, human nature, we in danger/Need angels like you to step up and switch up the angles.”


4. If it’s fu*king up your vibe “Don’t Do It” 

“Don’t Do It” sounds similar to Frank Ocean’s “Sweet Life” except it’s more bosa nova rather than R&B and has funky guitar riffs. Mid-tempo, it speeds up a bit more with more drums and amplified energy while Pharrell Williams demands with his crooning to “Don’t do it, don’t don’t do it.”

Its message is far from care-free and speaks on police killing unarmed African Americans. However, N.E.R.D makes one feel like they’re walking on sunshine from start to end.

Afterward, Kendrick Lamar comes in with enough entendres and punchlines to knock the sugar out of your ice tea! If you’re looking to stay woke in a literal and figurative sense, this is the song for you.


5. Bring that summer love back like a “Boomerang”

It may have started with champagne and jokes for Jidenna and his lady, but the song in particular rides out with a faint whisper, “don’t come near me” then xylophone riffs, hi-hats, scattered trumpets, and a bongo drum.

Not only is Jidenna’s delivery naturally fluid and mesmerizing, but it’s backed up with a proclamation of love that’s never-ending. Essentially “Boomerang” speaks on normal quarrels shared between two lovers. He refers to their relationship pattern as a “boomerang” because no matter what he will always come back.


6. Keep those hips in “Check” 

“Check” adds a clever twist to Craig David’s song “7 Days” by speeding up it’s the tempo and adding a little more bounce to the rhythm. This song is guaranteed to keep your hips swaying along to the beat and Raye’s airy vocals make a cool contact with those who’ve been sweating from a night of winding.

Alongside, KOJO’s spits out some commanding rhymes just to show that he plays no games when it comes to what he wants. For the dancehall culture, these two add flavor to your ears by defying the common quota of the genre with R&B and hip-hop.

This song ultimately speaks on two people who are vibing with each other and want to make it official.


7. Jam out with your “Tribe”

Sure to warm your soul, Bas and J.Cole go verse for verse about the reason for their smiles, which is a special lady. With minimal effort, Bas interchanges his flow in the midst of speaking from the heart.

Likewise, J.Cole uses a catchy sing-song phrase before going on about how he questioned if life would get better. He was even ready to go off on certain individuals until she showed up.

“I’m a pit bull, but for you I be on chain tied up.”

The beat makes sure to take in some sun rays for itself and uses batá drums, maracas, hi-hats, and mellow synths.

100 projects deep and Gucci Mane still reigns supreme over the Trap

Gucci Mane’s consistency and hard work prove that he’s in the game for the long haul. As an artist who is just too hot to handle, the soundbite “Brrr” tends to work in his favor.

If the ice-cream cone on his face isn’t a prerequisite for his stone-cold, direct PSA’s then maybe you need to crank up the A.C. Besides his hazy vocality and contrastive lyrical pattern, Gucci Mane carries his hometown Atlanta, Georgia at the base of his Southern-inspired rap delivery.

Sure, he might’ve been raised by the skreets (as he would say) but it hasn’t hindered his ingenuity. His moniker came about because of its traditional nature. It was passed down by his great-grandma to grandma to eventually his pops who then, called him Gucci Mane.

The rap polymath garnered attention with his first single “Icy” in 2005. Since then he’s released 100 projects to date and has had 21 projects hit Billboard 200. Moreso, he paved the way for trappers to do less talking and pull up with a stick.

In celebration of Gucci Mane making his 100th project mark, I was given the opportunity to cover his most fire projects in one week. Which I might add made me feel like a narco with a mean mug.

Day 1 – Diving right into the Trap

Gucci Mane’s Trap House (2005)

https://tidal.com/browse/album/17596568

Gucci Mane’s Trap House is a historic tape in his career that released in 2005. The day before its release, Gucci Mane found himself in the Dekalb County jail facing murder charges all because of five men who tried to one-up him.

It all began when Gucci Mane was visiting a female friend. There three men in all black stormed into the apartment. They tried to rob him, but then one of them got brave, punched Gucci Mane in the mouth and pistol whipped his friend.

Fast forward, Gucci Mane shot one, injured another who ran into the woods and left the last three to drive off in their truck. The police found the shot victim’s body near a middle school.

Like the real man, he is, Gucci Mane decided to turn himself in but he beat the case because there wasn’t enough evidence to charge him. Rumor has it, the spectacle was due to Gucci Mane and Young Jeezy’s beef over rights to “Icy” for Young Jeezy’s solo debut Let’s Get It: Thug Motivation. Still, the trouble didn’t end there and tracks like “Black Tee” give the inside scoop on how Gucci Mane is a troublemaker.

Although Gucci Mane uses minimal rap technicalities and leaves a lot of white noise when flowing — his creative blunt metaphors override all. However, I noticed that was only the beginning for Gucci Mane. He’s come a long way.

 So Icey Boy Disc 2 (2008)

https://tidal.com/browse/album/55926957

So Icey Boy was released during a time when Gucci Mane got arrested due to violating his probation. This happened because Gucci Mane only completed 25 out of 600 community service hours from his 2005 assault case.

As a result, Gucci Mane was incarcerated for a year but was released 6 months later. Granted, Gucci Mane took it to his advantage and gave it enough Southern influence to make anyone speak with a drawl.

Aside from the hydraulic synths and minor chimes — Gucci’s subject matter focused on drugs and money. Due to what I heard, I had an epiphany. Gucci Mane made trap what it is today.

EA Sportscenter (2008)

https://tidal.com/browse/album/55926247

Released in 2008, EA Sportscenter has a fresher sound than the rest. EA Sportscenter uses a lot of different flows and sound effects. Ultimately Gucci Mane says this mixtape was him giving the fans what they wanted. This was the first project of his that was issued in vinyl.

It is a limited edition and has 300 copies. The vinyl was red with gold paint splattered everywhere and each copy had an individual number so that the fan who purchased the vinyl knew they’d be apart of history.

Murder Was the Case (2009)

https://tidal.com/browse/album/17596931

From it’s synthesizers to piano riffs and bass, the project weaves in a more lyrical side that was used with extra care. “Never Had Shit” shows him at his most vulnerable and Gucci lets his guard down.

What’s special about Murder Was the Case is that it’s his 5th studio album. The name plays on the charge he received in 2005. Musically, Gucci Mane goes back to his old hazy flow and play on words but what reaches out to me most is his song, “Cuttin Off Fingaz.”

 The State vs. Radric Davis (2009)

https://tidal.com/browse/album/3241563

The State vs. Radric Davis falls in as Gucci’s major label debut with Warner Bros. Records and first gold-certified album. True to its form, Gucci Mane seems more reflective and less concerned with luxurious antics.

Production-wise, Gucci Mane brings in a Southern influence. From it’s hydraulic synths to speaker blowing bass — Gucci Mane shows us why he’s at the top of trap rap. Overall, I listened closely and heard about all of Gucci Mane’s sides. Yes, he can still be playful and enjoy life but at the same time he can right his wrongs.


Day 2 –  Embodying  La Flare

Writing On The Wall (2009)

https://tidal.com/browse/album/55987809

I notice a more open Gucci Mane who is willing to push the boundaries. Excelling in cadence and delivery — Gucci Mane stays at the top of his rap game. Just by listening you can hear what kind of mood he’s trying to set.

Arguably, Writing On The Wall goes to prove that he doesn’t just settle. In 2009, Gucci Mane was released from prison on the community service violation mentioned earlier. He dropped “Writing On The Wall” two months later.

The Appeal: Georgia’s Most Wanted (2010)

https://tidal.com/browse/album/4493085

Two months after his arrest, Gucci Mane released The Appeal: Georgia’s Most Wanted. His arrest follows after punching a man he had a dispute with, driving recklessly and refusing to comply with the law.

Although the charges were dropped — he risked violating his probation. The cover foretells the album’s story most. In an instant, we see Gucci Mane in his most fly white-on-white attire. Then our eyes catch him in a long sleeve under a short sleeve shirt with baggy jeans. It’s clear that his cadences plea to be heard. Whereas the production is airier. Thus showing off his introspective side.

 Gucci 2 Time (2011)

https://tidal.com/browse/album/55926597

I was shocked to find out that Gucci Mane was ordered by the Supreme Court to go into a psychiatric hospital due to mental incompetence filing. Honestly, the one thing “crazy” about him is his money fetish but to each its own.

As a result. he stayed for a couple of days then got his ice-cream cone tattoo. Gucci 2 Time has songs that crossover into the other which makes it an easy listen. This is one of his many boisterous albums but he has every right to go hard. At most, Gucci Mane shows off his gangster appeal here alongside Brick Squad.

 The Return of Mr. Zone 6 (2011)

https://tidal.com/browse/album/6020544

A month after its release, Gucci Mane finds himself in trouble with the law again. Like a true savage, he’s arrested due to pushing a woman out of his truck because she refused to comply with his money offer for sex.

The Return of Mr. Zone 6 is his sound’s safe haven. The beats are more intimidating and I even jumped out of my skin at one point. To summarize, it’s sonically scary. He’s also gotten his punchlines soaring high. One of my favorites is from “Reckless” where he raps, “I’m the king of diamonds and the princess shinin’.”

Trap Back (2012)

Although the Trap God was forced to squash the beef with the woman mentioned earlier due to winning a settlement she made against him, it didn’t stop him from making the freakishly charismatic project, Trap Back.

Noted are his verses this time around because they have so much complexity that it could rattle one’s brain. To match the bars is stellar production, it has a variety of electronic synths, rattling basses, chimes, and hi-hats. He’ll never forget where he’s from either and carries his Southern drawl in the cusp of his flows. Overall, it’s addictive to listen to.

I pressed play repeatedly…


Day 3 – The making of a Trap God

World War 3, Vol 1: Lean (2013)

https://tidal.com/browse/album/55987153

Once more, Gucci Mane finds himself not complying with the law.  Police issued a warrant for his arrest after he attacked a fan who attempted to get a picture with him. Hit with a champagne bottle, the fan ended up with 10 stitches and a concussion.

This project has two other sequels, called “Molly” and “Gas.” Its distinctive piece is Gucci’s fluctuating rap deliveries and eerie production which uses violin progression chords and a shook-up bass. Seems like Gucci Mane took his time constructing these tracks.

It’s a perfect balance between his demanding presence and cool as ice demeanor. Plus, features from the likes of PeeWee Longway and Young Thug prove that Gucci Mane has always had an eye for talent.

Diary Of a Trap God (2013)

https://soundcloud.com/guccimaneofficial/sets/diary-of-a-trap-god-2

Aside from getting arrested two days after making bail, 2013 seems to be one of the years that Gucci Mane gets in the most trouble. A week after the project drops, he gets arrested after cursing at police.

Afterward, the officers discovered marijuana and a handgun in his possession so you can imagine what happened next. This dilemma also occurred during Gucci Mane’s legendary Twitter rant with Waka Flocka Flame.

This project flows easily down your ear stream despite its long tracklist. He’s angrier on this project but with the previous information, its a given. Production-wise, it’s electronic and trap.

Brick Factory: Volume 1 (2014)

https://tidal.com/browse/album/55925986

Oddly enough, I discover that Waka Flocka Flame is on this project as a feature but I scream “brick squad” regardless. According to fans, this project is trap rap at its finest. Really, Gucci Mane deserves to flex.

The production was enough to make me do a double-take. It’s comprised of progressive synths and string instruments. Besides this, Gucci Mane also does his best to show off a daunting rap delivery.

During the month of this release, Gucci Mane pleads guilty to possession of firearms. Fast forward, he ends up serving three years and three months in prison.

Trap House 4 (2014)

https://tidal.com/browse/album/47357390

Despite his incarceration, Gucci Mane still managed to release numerous projects this year. Believe it or not, Trap House 4 is only available digitally. It is also a sequel to his 2011 project Trap House III.

Although it sounds disorganized in some instances, the production makes up for it. Not only does he use paranoiac piano chords, but he also uses electronic synths and scattered hi-hats.

Like its name, he uses it as an advantage and allows himself to flex. Additionally, Gucci Mane’s flow stays true to its hazy Southern nature. Lowkey, Trap House 4 peaked at No. 153 on the Billboards.

 Felix Brothers (2014)

https://tidal.com/browse/album/47858970

A few weeks after Trap House 4, Gucci Mane releases Felix Brothers. The name derives from a Mexican drug cartel that’s based in Tijuana that is known for being “one of the biggest and most violent criminal groups in Mexico.”

Although he isn’t counting $200 million every time he links with his producers, Gucci Mane still builds his money empire while in jail. Equally important, Gucci Mane partners with Young Dolph and PeeWay Longway.

This falls in as his fourth project released in July. While Gucci switches up flows, he has PeeWee add more ignition.

Revved up much?


Day 4 – Big Guwop has arrived

 The Oddfather (2015)

https://tidal.com/browse/album/55927156

Once I saw The Oddfather’s cover, I got chills. The release concurred with Gucci Mane’s court date and proving its sinister, the introduction plays out Gucci Mane on a phone call from jail. Thus, making his troubles all the more authentic.

Although coming from a place of restriction, Gucci Mane also sounds more focused and clear. Likewise, Gucci Mane uses more similes. Lyrically, he’s more aggressive. Production-wise, The Oddfather brings in chopper sounds and heavy bass. He speaks on what it’s like to be the trap father.

1017 Mafia: Incarcerated (2015)

At most, this project’s production gave me hot and cold flashes. Gucci Mane insisted to get the dopest producers to date on this project and it shows. The 808’s, hi-hats and hydraulic synths tend to dash in hidden sound gems that one can’t just put a name to.

Aside from that, each track has a feature which is different than what most artist would do. Gucci Mane excels most in his rhyme schemes and hooks on this project. What shocks me most is that it doesn’t receive much recognition.

I believe that this project deserves infinite high ratings.

Breakfast (2015)

https://tidal.com/browse/album/47356771

The first of the trilogy — Breakfast, Lunch and Dinner, this entire project consists of 33 tracks which tell me that I am in for a long night.

Opposite of my biological clock, it seems like Gucci Mane does not rest. The production seems to go in the same direction as his last albums, but his witty punchlines are at an all-time high.

Also, Gucci Mane brings his best flow and doesn’t settle for less. He shakes the cerebrum with more commanding deliveries to get the people up!

Views From Zone 6 (2015)

https://tidal.com/browse/album/55987378

At first, I thought the projects name was wrong and that the world meant to plaster Drake’s name behind this project. Then I realized the added “Zone” to the title, differentiating it from the 6 God.

In light of Gucci Mane’s sentence, this was one of the few to be released before he is. Sadly it reels in at 8 tracks. The tracks are notable and have treasurable gems. However, the production uses more 808’s than usual. The features match his fly and he does a great job creating double entendre(s) that I didn’t even know could be tied together.

Everybody Looking (2016)

https://tidal.com/browse/album/63124264

Alas, 2016 is the year that Gucci Mane will break off the leash. He is released that May from jail but doesn’t miss a beat and drops Everybody Looking with a cleaner mind (and diet).

People are convinced that Gucci Mane has a clone but that is not the case. He’s really taken care of himself in all aspects and it shows in Everybody Looking.

Honestly, this album does a 360 and gives more leeway to the synths and piano. At most, this is his statement of starting over. He’s more reflective and speaks on battling demons and his profound freedom.


Day 5 – Mr. Zone 6 reclaims his trap kingdom

Woptober (2016)

https://tidal.com/browse/album/65788783

Woptober comes back with those demons he’s been battling and throws them into his production. Eerier than the rest, Gucci Mane uses it to his advantage so he can stress that he’s no longer that trap father from two years ago.

Yes, Gucci Mane remains his playful self and the punchlines are proof. Still, he takes the time to be more open and bring awareness. Not to mention, Gucci Mane takes a focused approach on his wordplay and flows. Woptober ranked as No. 43 on the U.S Billboard 200.

1017 vs. The World (2016)

1017 vs. The World is a joint album by Gucci Mane and Lil Uzi Vert. Although it’s only seven tracks long, Lil Uzi Vert and Gucci Mane’s charisma makes it feel longer.

These two are known for their playful flows and so, it consists of jam-packed bangers. Production-wise, it takes the futuristic route and uses a lot of electronic synths, laser beam sounds, and hi-hats.

Likewise, it jabs in some 8 bits every now and then. One can certainly tell that this is out of Gucci Mane’s norm but he makes it work anyway.

Mr. Davis (2017)

https://tidal.com/browse/album/79694758

Mr. Davis shows off Gucci Mane’s newfound charm. With a better mindset, Gucci Mane speaks in triumph about taking the biggest W while the whole rap industry takes an L.

Additionally, the production goes its own direction and uses haunted piano keys and more 808’s. He comes off sharper than ever and even his flows sound more clear-cut. At most, this is Gucci Mane at his most confident. Songs like “Changed” show Gucci Mane being reflective on his new ways.

3 For Free (2017)

3 For Free has the shortest tracklist from the emcee. Its production takes a piece from every genre and is backed up by synths and rattling bass. Fans rave that this project is trap music at its best.

Aside from production, Gucci Mane spits the most remarkable verses. Its sound brings me back to his Traphouse days but 3 For Free reigns supreme.

Delusions of Grandeur (2019)

https://tidal.com/browse/album/111617641

Delusions of Grandeur is like a breath of fresh air. Besides Gucci Mane boasting about how he doesn’t drink anymore, he uses trancelike piano loops, snares and claps to back up his talk.

From his R&B love ballad with Justin Bieber called, “Love Thru The Computer” to “Proud of You” — Gucci Mane’s subject matter changes immensely. Before it was about drugs, money, and women.

Now it’s on personal growth, finding love, staying true to yourself and money. Ultimately Gucci Mane is more lyrical and on-beat. It seems to come naturally to him. It’s the best album to date in my opinion.

ghostwriter

7 poppin’ hip-hop ghostwriters who deserve your respect in 2019

When a rapper just can’t seem to push the pen behind their words much longer who are they going to call? A ghostwriter.

When the money doesn’t talk, they settle for the next best thing: a hat tip. Even though ghostwriting is seen as taboo in the hip-hop community, it often helps artists to tap into an undiscovered sound.

Not only do these individuals look beneath the surface of who they’re writing about, but they also tackle their subject’s conception and cadence to draft up bangers. Still, if anyone deserves to anonymously flex, it’s these ink-slingers.

From Quentin Miller, the not so Mr. Nice Guy towards his enemies to Brittany B., a Compton artist who goes above and beyond to learn about her subjects, here are seven lyrical geniuses every paper writer should know about. 

1. Quentin Miller

In a world full of small fries, the fans put in their 99 cents and conclude that Quentin Miller is a larger one. Amid the beef between Drake and Meek Mill, Atlanta-based rapper Quentin Miller found himself dodging interviews once a reference track he recorded for Drake got released.

However, Quentin Miller wouldn’t say he’s a writer but more so his own artist. He and Drake just happened to be on the same wave. Likewise, Quentin Miller is 1/2 of the duo WDNG Crshrs.

Their discography comprises of the LP’s UTDinfiniti, CrshrsGotWings, Crshd Files Vol. 1 and their latest one — Crshd Files Vol. 2. Singularly, Quentin Miller is fond of carrying undefied confidence when speaking his piece.

He also speaks about the joys of fatherhood and those who throw dirt on his name. An example can be seen in his verse from “Go Off” by Surf Club:

“Third eye wide open, watching for the devil/Hit my daughter with a trip to Carter’s ‘fore I left her/Make sure when she go to daycare, she gonna look the freshest/Eating dinner with my niggas, feeling real boss/Shout out Complex Magazine, for that extra salt/Shout out 1317, I rep it ’til I’m gone/I had to go off, I had to go off/I found out I really am a star/In my own way, we ain’t listening to y’all.”

Check out more of Quentin Miller’s music here.


2. Pardison Fontaine a.k.a Pardi

This OG got his feet wet in the hip-hop game back in 2013 with his song “Oyyy!” but rose to ultimate-fame after he was ousted by a Twitter user who discovered a video of Pardison Fontaine rapping Cardi B’s “Be Careful” lyrics verbatim over the exact same beat.

Still, that didn’t matter. In fact, Cardi B and the NY rapper have been down since 2014. Cardi B even made sure to credit the songwriter alongside 17 others who were credited. His songwriting skills wouldn’t go unnoticed as Invasion of Privacy would go on to win a Grammy for Rap Album of the Year in 2019 and receive a nomination for Album of the Year as well.

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Lowkey, on Twitter, he was also named ghostwriter on Kanye’s track “Violent Crimes.” Yeah, he wasn’t too happy about that… Still, it was all a part of the plan for Fontaine as he steps into hip-hop stardom. With tracks like “Backin’ It Up,” “Madden Flow” and his major deal with Atlantic Records the Newburgh rapper’s “debut-debut” album is bound to be straight memorable heat.

Check out more of Pardi’s music here.


3. Gizzle

On her grind or better yet, gizzle — this femcee is one who refuses to be silenced. Writing virile driven bangers for the likes of Lil Fizz, Kanye West, Nicki Minaj, Snoop Dogg, G-Eazy, T.I, Boosie Badazz, Diddy, Ty Dolla Sign and Travis Scott, Gizzle has learned how to pep talk those that she ghostwrites for.

She says that writing for others isn’t too hard because it’s for them and in their perspective. Whereas when she writes for herself it’s a checks-and-balance system. Often times when she puts the pen to her own pad she questions if it’s true to her and also if it’s really how she feels.

Grizzle grew up in South Central, L.A. Before Grizzle, she called herself Lady G Da Real Deal. At a young age, Gizzle would write poetry in the means of self-expression. Eventually, it transitioned into rapping and with the help of her godfather and legendary producer Teddy Riley, Gizzle was able to get her first big break in the music industry.

Gizzle’s music often speaks in the first person.  It embarks on what she’s seen and learned throughout the years. She prides herself on being the scholar and the teacher. Better take notes, Gizzle’s class in session. 

Check out more of Gizzle’s music here.


4. Valee 

By all means, Valee will go and get it. He keeps everything in straps — the money, cars, even women. However, Valee first carried the weight of destiny on his shoulders once he took a detour and went to Guitar Center.

Shortly after Valee released a series of mixtapes which he said consisted of a cut, copy and paste pattern. Then in 2017, Valee garnered attention from Kanye West and signed to G.O.O.D Music. Like his label mates — he stays under the radar.

But one thing is certain, Valee’s placement in the rap game is for keeps. Aside from breaking the leash of common sound with hindered trap, he also co-wrote the song “All Mine” with PARTYNEXTDOOR and “I Was On The Block” by YG. 

Check out more of Valee’s music here.


5. Daylyt

Daylyt comes at you like a shadow in the night. As he sends a chill down your spine with witty punchlines — Daylyt also makes sure that what he’s saying can be felt through the means of humor and relatability.

But for the MC, it’s all light work. He says there’s a method to his madness. The stunts came about after he went through a period of questioning life: Why we were here and what we were living for? Still — Daylyt’s biggest strength is keeping you on your toes. His antics mainly include dressing up as Batman or even Jesus. As quoted by Daylyt:

“I’m way out of my lane/They try to tell me I’m way outta my game.”

Daylyt started rapping in high school then because a regular at a rap battle spot called Mecca the Pit. Eventually, he went on to join the Krak City Crew with battle star Dizaster and AV LMKR.

After the three took over the battle rap scene but it all changed once Daylyt moved to Bernardino and got a job at Wal-Mart. At first, he felt as if his taunts didn’t belong in the rap game. Nevertheless, he kept making songs and eventually accepted a Grind Time invitation to battle.

Aside from just being a battle rapper, Daylyt places himself at hip-hops forefront. Some label him “mad” but that’s a term he’s come to accept. Rumor has it that Daylyt has also been the silent pen pusher for Drake.

In “Uncharged Up” he sends out a response track to Meek Mill and hasn’t confirmed or denied that he’s Drake in the scenario. Who’s to really say if it’s true or not. Daylyt always has something up his sleeve. 

Check out more of Daylyt’s music here.


6. Brittany B

American Grammy Nominated singer, songwriter, and recording artist — Brittany B. is known for working with the likes of John Legend, Chrisette Michelle and Ledsi. However, she’s added one more person to her resume: Bhad Bhabie.

Born Brittany Chikyra Barber, Brittany B. got some clout in 2011 when she worked on Terrance Martin’s album Locke High 2 and co-wrote his track with Ty Dolla $ign called “Love.”

In 2014 and she signed a publishing deal with Spirit Music Group. Shortly after she helped write on Theophilus London’s song “Can’t Stop” featuring Kanye West. Even though Brittany B. wrote R&B tracks — she decided to delve into the field of hip-hop after being requested by Atlantic Record’s A&R,  Aton Ben-Horin to collaborate with a new femcee at the time, Bhad Bhabie.

As time passed the two became close and Brittany B. solidified her place as Bhad Bhabie’s songwriter. She says after their third session, the A&R asked if she’d write more songs for Bhad Bhabie. She agreed and went to figure out more about the artist. For her, she likes to know everything as it helps Brittany to deliver a sound that’s true to the artist’s personality.

Nothing holds the two back and it’s all thanks to an exchange of good concepts with pure understanding. 

Check out more of Brittany B.’s music here.


7. Sy Ari Da Kid

Known as Sy Ari Da Kid, the Brooklyn New York artist takes the role as a lyrical beast and well-known rapper. Once he moved to Atlanta, the state’s musical influences seemed to transcend within himself. By the time he turned 24 Sy Ari Da Kid had a business and was producing.

He’s worked with the likes of Roscoe Dash, Waka Flocka Even though Sy uses calm, heartfelt vocal play — Sy Ari Da Kid still keeps it intact when free flowing like the Zohar phase.

According to Sy Ari The Kid he likes to freestyle until he comes up with a good hook or a good start to a verse. He doesn’t like creating from scratch with other artists or producers. Ultimately he dictates his sound around personable stories, world awareness, and relationships — but Sy Ari Da Kid also speaks on living your best life because you only get one. Sy Ari has a rack of discographies.

His albums are S.O.O.N, The Heartbreak Kid 3, B4 The Heartbreak, 2 Soon, 2 Weeks Diss, Better Safe than Sy Ari, Emancipation Proclamation, and After the Heartbreak. He says the key to a full sound is open space.

If there’s no open space in the beat, then it’s more likely for someone’s sound to evolve. Ladies and kids should like it just as much as the streets. Besides this Sy Ari Da Kid also has taken on the producer role, once engineering for Roscoe Dash and Waka Flocka.

He is also signed to Cash Money and has collaborated with the likes of K Camp, Bryson Tiller, Timbaland, and Slim Dunkin. With or without a record he’s never changed and that’s why he’s respected. As stated in his line off of “We Them Niggas:”

“I’m workin’ through the week days, grindin’ on the weekend/See I don’t know Drake but I get hoes like The Weeknd.”

Check out more of Sy Ari Da Kid’s music here.

Who is Chris King? The Cali rapper dropping heat with Trippie Redd

On his snotty shit, Chris King runs through the ville with a Backwood in one hand and a rack in the other. Ultimately, his natural skill to fluctuate between auto-tune and built-up aggression in his 16’s keep the fans on the edge.

Even if he’s up at the break of dawn with a Squirtle durag on — the MC tends to make more waves than the famous Pokémon. Moreso he takes a daily dosage of laughter to get through the day. Yet the most intriguing quality of Chris King is that he’s always two steps ahead.

After all, life is about choices and for him, it’s about making the right one.


Originally from Fontana, California, Chris King knew the code of a dope dealer earlier on. At 10-years-old, he watched his own father get incarcerated for selling drugs. Still, he refused to be another statistic. Chris King was going to build his own empire through the means of rapping and entrepreneurship.

Growing up, King would often listen to reggae — his father was a part of a reggae group so it was only right. Rapping just came easy to him and so King decided to go with it.

Alongside Milo, Chris King formed the rap group, 2 Much, where he was labeled as the “Bobby Brown” of the group due to his rebellious nature. However, the group split because they both wanted to do solo work.

After going their separate ways, King received a $2 million deal with Interscope. While Milo transitioned into a coordinator, one of the members received a deal in London and the other sought for a new adventure.

Fast forward to when Chris King slid into Trippie Redd’s DMs and now Trippie is one of his go-to collaborators. Off the rip, it was nothing but great vibes for the two. But it really set off once Trippie Redd expressed that he really liked his work.


Eventually, Chris King met Rocket while working at a store “Dope” on Fairfax. Thus, creating 1400 Gang — a trio that’s compromised of ruthless rhymes and keeping the same all-around energy. Then Chris King created Snotty Nose Mafia, his common phrase that reflects on how one carries themselves. For him, it’s a way of life.

Since then Chris King has released 4 albums and multiple singles. From his 2015 project Leonardo Di’Trappio to his recent album LUCK OF THE SNOTTY along with his single “Stuck in My Ways” ft. Trippie Redd — Chris King shows us why he’s the best thing to come out of the 92336.

Though his commanding delivery in each album can’t be ignored, Chris King’s ultimate power is being real while throwing in the punches.

Take the first track off of Leonardo Di’Trappio for instance, “Open the Pit!/Headshot,” lets the high energy rip through the dominant tone in his bars. Claiming that he’s been a trendsetter, Chris King shows off flair.

Not only does he have fun with creating memorable punchlines like, “Check out the drip and absorb it,” or “I get the heads and tails/That’s what I coined it,” but he picks an eerie beat to remind the listener why he’s so unstoppable.

Overall, the piano chord is enough to give one shrills but the pattern of hi-hats get the blood flowing.

Ballhog” focuses on his auto-tune ability (which I might add is just too smooth).

Basically, Chris King speaks on how he’s just trying to mind his with the slimes and stack up. However, Chris King’s status in the game comes with the price. An example of the meaning can be seen in these two lines

“I’m too damn good with it/I’m good long as my crew with it/I’m like pass me the ball,” and “Money on my mind, pocket full o cash/Wanna whip it in the booth/Trying not to crash Trying not to get distracted from cameras/Paparazzi lights flash/Goddamn, goddamn, can’t a n-gga kick/Let a n-gga splash like Ron and damn.”

And even though Chris King’s words could make your skin crawl. The real enhancer is the low register of the piano & daunting 808.

LUCK OF THE SNOTTY shows a quick-tempered Chris King who doesn’t have time for the B.S. Not once does he bite his tongue and that’s why this album is well respected.

“Stuck In My Ways” ft Trippie Redd reflects on a bad break-up.

Although he’s sad that the relationship is over — Chris King refuses to change how he is. As Trippie Redd cries out,

“Shorty don’t play games with me (games with me) I don’t do Moet pop some champagne with me (champagne with me)/She know if she want it/It ain’t a thing to me (thing to me)/Yeah, but it’s so sad because it’s over/So sad because its over yeah.”

Chris King taps into his auto-tune to speak about his altered reality. At most, the melody is soft and uses a muffled base. In unison, the kick-drum and hi-hats go over the lyrics so others can envision a broken heart.

With this in mind, “T H E W O R L D iS Y O U R S !” goes for the kill. The beat still has a way of crawling up your skin but the lyrics give the song a higher meaning.

Ultimately, Chris King tells all to take control of their lives. Still, he lets loose on some things he’s experienced. The world is for keeps, so make it happen. There isn’t such thing as hesitation and it’ll keep going around.

In any event, Chris King is a fire you can’t put out. On occasion, he’ll simmer it down by auto-tuning his feels for a girl. Still, Chris King likes to match his lyrics and beat selection with certain tonalities so the message can get across.

It’s no surprise that he’s blown up. With all those flame emojis in his comments, Chris King is sure to bring the wrath!

Queens get the money: 7 rappers from the borough you should be bumping

Parallel to the borough of Queens, these seven rappers know how to secure the bag. Around the clock, they’ve hustled and have gained huge success because of it.

Still, their sense of community has helped them get ahead From Kyah Baby’s unbothered floetry in her iconic Funkmaster Flex freestyle to MID’s latest chill-wave track, “Sea” they’re all as real as it gets.

Here’s a rundown of those who are collecting their coins.

1. MID (aka Music is Drugs)  – Astoria

Apart from RRRSEASON, a group that lyrically resembles New York’s old school sound, MID is “a man with a complex.” Beneath the surface, MID’s ambiance meshes well with his lo-fi beats.

Ultimately he’s calm, cool and collected but when he speaks on the mic, he doesn’t hold anything back. Sometimes, he gets deep and allows the listener into all aspects of his life (including mixed feelings in a relationship.)

Other times MID speaks about sippin’ on the Henny and his glo-up. Either way, you can’t help to turn him up in your headphones. MID won’t let anyone mess with his element. Even in his song “Form,” MID pays homage to his home state, New York. The Big Apple has helped him grow.

“Out the country somewhere foreign, but I’ll always miss New York// That’s my home // Reason why I write these poems // Reason why I love these songs.”

Check out more of his music via SoundCloud.


2. REMY BANKS – Forest Hills

Known as “your neighborhood-friendly smoking cool cat,” Remy Banks lives by his name. In the “Function” featuring DRAM and World’s Fair, the blazer even says,

“Somebody pass me a lighter // I’m about to set fire to this joint // I wrote this filled with purple dope // I need my green on this C Note like a piano.”

Nevertheless, it’s a given that no one has ever heard anyone roll out rhymes like him. Originally from Forest Hills, Queens, Remy Banks began rapping in high school. After he dropped out of college as a fashion design major, Banks decided to do music full-time. Yet, this wasn’t his only forte.

In his youth, Banks was also a skater who vibed with Odd Future during the MySpace days. Still, you’ll see him rocking a New York fitted cap no matter what. Remy Banks’ rap style shows nothing but love to his home state.

He raps about what he experiences, everyday life, staying focused, diversity and inspiring others. Asides from doing solo work, he’s also apart of two groups: World’s Fair which is signed to Fool Gold’s Records and Children of the Night.

Check out more of his music via SoundCloud.


3. LANSKY JONES – Roosevelt Island

“The Jack of All Trades, Master of None” who is best known as rapper Lansky Jones, can make anything a thing. Whether he’s going on or off-beat, Lansky Jones forces those listening to stay woke.

One who’s very aware, it’s safe to say that he’s a political advocate who demands change. Due to his tri-racial background of Russian, Hungarian, and African-American, Lansky Jones has a unique perspective.

Aside from this, Jones speaks about the perfect woman and how he’s a “rollin, rolling stone” in “The Return of Danny Jones.” Based out of Queens, New York by Roosevelt Island, he takes pride in being from the Empire State.

On the whole, Lansky Jones gives it to the people in black and white. He tells others what they need to hear, instead of what they want to hear.

Check out more of his music via SoundCloud.


4. KYAH BABY – Jamaica

Revealing fierce, well-put-together bars and double entendres to the world about her upbringing, femininity, and hustle, KYAH BABY’s style reigns as legendary.

One who refuses to be stigmatized because of her approach in the hip-hop game, she caught her big break last year after killing it in the classic “Flava in Your Ear” instrumental on Funkmaster Flex’s series.

Even when others see her prominence in the rap game already, Kyah still remains hungry. Ultimately, she believes her dreams haven’t been reached yet but she’s working on making it happen. Her aura proves that she’s not someone to f-ck with. She’s “Queen’s finest.”

Check out more of her music via SoundCloud.


5. DEEM SPENCER – Jamaica

Thoughtful and weighty, Deem Spencer tends to wear his heart on his sleeves when fluctuating between singing and rapping. As he flows smoothly over somber beats, Spencer free-falls with the youth’s deepest fears in growing up but he still remains free-spirited.

According to Spencer, most of his work is based on him discovering things that he’d like to do, say or even look like which is why one can’t help but stay interested. He just seems to get it.

Though he is from Jamaica, Queens he isn’t swerving in a lane to sound like he’s from the state. He’s concerned with being more expressive than impressive.

Check out more of his music via SoundCloud.


6. JOHN TR3 PRITCHETT – East Elmhurst

Labeling himself as a product of lyrics and content that needs to be heard and reflected on, TR3’s rhymes flow out like poetry. At most, TR3 has studied the game. Not only does he have the boom-bap feel from his state down pact but TR3 creates a learning space for other MC’s through his articulate philosophical views toward the world.

Hailing from East Elmhurst, Queens, TR3 lounges like a king. He began rapping at the age of 10 with glorious poetry but his prominence rose from his freestyle on Biggie’s song “Party and Bullsh-t” which garnered 100K views.

Since then he’s released songs like “7 Line” that’s a melody for the ladies soul. In his words, TR3 says “I always view raps as just another way of art to convey how you feel.”

Check out more of his music via SoundCloud.


7. ANIK KHAN – Astoria

This rapper knows how to get down into his roots. When he isn’t using his culture to drive his musical style, he’s boasting it proudly to the world. Born in Dhaka, Bangladesh, Khan moved to Astoria, Queens with little hope.

At one point he even found himself in an identity crisis but regained himself after traveling to New York for a West Indian party. Shortly after, Khan decided to venture into Caribbean, Calypso, Reggae, and Dancehall.

Since then Khan has interviewed with Hot 97’s Ebro, Pigeons and Planes, and Complex. He also released his latest project “Kites” in 2017. Even though he was signed to Def Jam at a certain point, the rapper decided that it was not for him and decided to go independent.

Check out more of his music via SoundCloud.

070’s Ralphy River’s voice makes us feel like we’re walking on water

A piece of the quintet known as 070 Crew, Ralphy Rivers, is creating his own wave of sound. 

Gently down your ear stream, you can expect nothing but alternative R&B and electro-pop vibes. Ralphy River’s vocal escape also couples in nicely as it smooth sails with a powerful rise-and-fall pattern. 

https://www.youtube.com/watch?v=Dgoyv9sz18Y

His sounds are so much drawn from his influences that it’s almost scary. From Michael Jackson to Prince, Ralphy Rivers has their sound down pat. Still, the artist has a skill that separates him from the rest – he can transition into different ranges.

Whether it’s chilled out rap, a falsetto or tenor pitch — Ralphy River’s voice meets where the light breaks. At most, he is the shadow that follows behind you. 

From the Garden State, Raphael Enterriors whose stage moniker is Ralphy Rivers has been creating music since he was 15. Fast forward to 2016 and Ralphy Rivers found himself taking it more serious once recording with his G.O.O.D Music signed partner and pal, 070 Shake. 

 

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Shake & Ralphy’s Allegory of The Cave

A post shared by Ralphy River (@ralphyriver) on

Prior to 2016, Ralphy Rivers also joined the other members of the 070 Crew and released The 070 Project: Chapter One on their manager, YesJulz’s 1AM Entertainment label.

According to Ralphy Rivers, the listener should expect a tidal wave of rap but in his unreleased stuff, they will hear him singing just a bit more. After all, he’s comfortable with breaking out of his comfort zone.

Ralphy is always looking for ways to grow.

 

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Dear Mr. Man In White,

A post shared by Ralphy River (@ralphyriver) on

Since then, Ralphy Rivers has released tracks like “True Love’s Kiss” and “Seeking a Friend For The End Of Days.” Ralphy Rivers is also still kicking it with the 070 Crew and sending his greetings from places like Paris!

Curating nine perfect tracks on his SoundCloud, Ralphy Rivers shows all sides of who he is. His first single which premiered on YesJulz’s 1AM Radio called “In Line” was during a time where he was “in a world that he invented.” As the beat dropped with an up-and-down pattern from the piano, hi-hats came in unison.

At that moment, young Ralphy Rivers was ready to attack. While daring subconsciously in song for his lover to test his limits, the hi-hats and piano chord heighten with Ralphy’s adrenaline rush but he doesn’t seem to really notice.

Besides this, Ralphy Rivers also mentions that we,

“Gotta surrender the truth/No they never showed us the light/Cause without the darkness baby, you wouldn’t seem so bright.”

https://soundcloud.com/1amradio/ralphy-river-in-line-prod-by-mubz-beats

Summarizing his artistry, he also separates the real from the fake and his singing ability is touched upon only slightly.  This proverb shows itself in lyrical form. “No don’t you dare move out the line/What is it you want from me now/All the small talk wasting time/Better watch what you wish for/No don’t you go fishing for mine.”

“If you move out the line imma show you its Jersey/All the new niggas you see on the line up/That’s my team yeah/And I can be scared and nervous/I came prepared, I’m worth it.”

“Love Me, I Know” has a crepuscular, shadowy production. In the midst of aligning with Ralphy’s falsetto vocals, it gets the heart bumping.

The Michael Jackson influence is obvious as Ralphy River belts, “Love Me or Leave Me Alone/Love Me, then come along. Love me or set me free. Let me be.” Simply put, Ralphy Rivers just asks for his love to make up her mind because he’s tired of the games. 

“Gift of Love” speaks on what it’s like to wear your heart on both sleeves. Sometimes we think that the next person could possibly be “the one” but it doesn’t turn out to be what we expect.

In this song Ralphy Rivers lets loose and tells all about the pain he’s endured when giving others a second chance. Ultimately, Ralphy Rivers and the piano keys co-exist in pain.

If you think you’re in this alone. You aren’t. Your gift of loving is soon to unravel for one who’s deserving.

“Cause I’ve been hurt before and this time I was praying that it wasn’t just another lesson but I can’t ignore yeah/The universe and all of it’s lessons for me.” 

Ralphy River’s track “Bereft” gets a bit deeper as the piano’s soundscape leaves room for Ralphy to spit some touching rhymes.

He speaks on his growth, “flying in outer space definitely put me in a new zone.” Ralphy Rivers refuses to be foolish and lose sight of what’s really important. He wants to leave a legacy for those that he loves and be remembered for all the right reasons. 

Lastly, “True Love’s Kiss” prays for a lover’s kiss to revive the love that was once killed by another. In unison, Ralphy River belts “I pray that this power doesn’t become too much/Our only hope is true love’s kiss.”

Love conquers all and so does the guitar chords that set a warm, intimate setting for the two twin flames. For the most part, you can rest assured that Ralph Rivers will continue to walk on water. His music is merely there for uplifting and guidance. 

Let his shoulder be the one you cry on.

Bea Miller it’s nice to meet you, please keep making dope music

Bea Miller’s serenity and self-empowerment can be defined as America’s best-kept secret. 

Although Bea Miller’s vocal scape starts off with a faint, hoarse whisper — it gains momentum when she lets loose. With this in mind, Bea’s tonality can be described as bluesy with a Mixolydian side.

 

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it’s not u it’s me 🖤

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Her songs pretty much unravel the feeling that’s associated with each emotion. On both sides of the spectrum, Bea Miller acknowledges them but she also comes to terms that it makes her human through a fuse of electro and dreamy pop. She writes songs that only revolve around personal experiences.

Ultimately, Bea Miller wants to be the artist that’s honest. She wants to be someone who her fans can relate to because she didn’t have that as a music fan of other artists. After all, Bea Miller is someone who understands that everything that glitters isn’t gold. 

Sprouting from the Big Apple, Bea Miller takes pride in calling Manhattan her birthplace. After her family moved to Brooklyn until she hit the age of 4. Then she moved to Maplewood, NJ.

 

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my least favorite location in my most favorite city 📸 @mirandamcdonald

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By the time she was 12, Bea Miller was writing her own songs thanks to her guitar she named Charlotte. A year later she found herself competing on the second season of The X Factor where she placed ninth.

Afterward, Bea Miller signed to two record labels Syco Music and Hollywood Records in Apr. 2013. Since then she’s released two albums called Not An Apology and Aurora. Alongside is a trilogy of EPs: Chapter One: Blue, Chapter Two: Red and Chapter Three: Yellow.

Bea Miller has also released a fair amount of singles like “Song Like You”, “S.L.U.T” and “It’s Not U, It’s Me” featuring 6lack, which lets one know it’s okay to not be right for someone else because sometimes we get so caught up that we need to be what they expect us to be.

Bea Miller’s 2015 project Not An Apology ultimately speaks on standing up for what one believes in. The genre is rock pop but it gives the guitar some leeway to find it’s own rhythm.

“I Dare You” is awe-inspiring. In the midst of being torn down, she encourages all to get back up because you’re worth fighting for. Particularly this song speaks on a time where she was being belittled but she found the strength to stand up for herself.

The chorus gives those who feel defeated hope to have their own voice.

“So put me in a cage, lock me in a room/Throw away the key, I dare you/I’ll break down the walls, a high heel wrecking ball/And I won’t let you tear me down, no/Oh, oh, throw away the key, I dare you/Oh, oh and I won’t let you tear me down, no.”

https://tidal.com/track/49376603

However, “Force of Nature” has a softer side. In this song, the guitar chords are a bit lighter but the words hold weight. Bea Miller compares her love to a force of nature and says that even when she’s prone to get hurt, she doesn’t mind it.

Bea Miller has always tried to fight against her feelings but she can’t much longer. An example can be seen from the first bridge to the chorus,

“I know I should take cover/Hide inside these four walls/But baby I surrender it all/Cause you’re a force of nature/Look at what you’ve done/I can taste your danger/But I don’t want to run/So hold me to the ground/And I won’t put up a fight/I’m a caution taker.”

The trilogies Chapter One: Blue, Chapter Two: Red and Chapter Three: Yellow incorporate different themes. Blue represents the sadness she felt during the roughest period of her life so far, red represents self-liberation and yellow represents her feeling sad and angry.

 

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the first part of my story, #chapteroneblue feb 24

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In Chapter One: Blue, the main instruments that take lead are the intuitive drum, piano, and drums. As a whole Chapter One: Blue speaks on a tough break-up and the effect it’s had on her. 

Bea Miller’s popular song “Song Like You” portrays what it’s like to be with an ex who’s addictive yet no good through her war-cry vocals in the pre-chorus.

“A song like you would never tell me the truth/It would turn me on, break me down, make me feel like there is nothing outside this room/A song like you would have me lost in my youth/Oh, baby, a song like you.”

Fast forward to “I Can’t Breathe” and it lets the violin and piano captivate how broken she’s feeling. She just wishes to go back to a time where things were concrete.

“Somebody get me a hammer/Wanna break all the clocks and the mirrors/And go back to a time that was different/A time when I didn’t feel like there was something missing/Now my body and mind are so distant/Don’t know how to escape from this prison/How can I free my mind?”

In Chapter Two: Red, Bea speaks on how despite the obstacles in her way, she can get through it all by using self-empowerment. The EP’s sound is mostly electro-pop and is lead by a range of piano chords, guitar chords, and snaps.

In “Like That” Bea Miller doesn’t care about how others perceive her. In fact, she only gets stronger when others try to tear her down. An example can be seen in the chorus,

“When you treat me like that/It’s pushin’ me harder, it’s pushin’ me harder/When you breakin’ my back, when you breakin’ my back/I only get stronger, I only get stronger.”

Whereas “buy me diamonds” gives the perfect clap back through desire for shiny gems.

“You made me feel so unwanted/Made the decision to leave you behind/You say you’ve changed and you’re sorry/But I don’t wanna know/So give me something I can hold/That I can trust and call my own/And won’t run out and leave me cold/Give me something that won’t tell me lies/Won’t leave me hanging out to dry/Won’t f-ck me over make me cry.”

Following after is Chapter Three: Yellow. It profoundly speaks on how she’s owning herself instead of letting others define who and how she should be or look. In the pit of fury, she tells all in songs like “repercussions” and her hit single “S.L.U.T.”

“repercussions” is a song that speaks on Bea Miller taking her worth back because beforehand she used to let people step all over her. It trickles in a warm vibe with guitar strums and drum kicks.

As she sings on how she has to take back what’s hers, one can relate due to societal views. An example is shown is this very line,

“My point of view has been altered because I’m never looking out through my own eyes/I don’t know when I misplaced my own perspective/So now I gotta take back what was mine/So tired of this stagnant place that I keep living in.”

“S.L.U.T” was created due to a hateful comment left under one of her pictures. According to Bea Miller, the picture was of her in a bodysuit and skirt but the outline of her nipples could be seen.

She didn’t care because most girls with smaller boobs can pull off not wearing a bra but this one girl had a different opinion. The hater said, “How could you post this? You’re such a slut, how could you be promoting being a slut on your Instagram? So inappropriate that you’re not wearing a bra.”

The comment left Bea enraged. While she was in the process of venting to the writer and producer, the writer searched ‘slut’ while they were on Urban Dictionary just to see what would come up.

Strangely enough, there was an acronym there that said, “Sweet Little Unforgettable Thing.” The writer looked at Bea and said “sweet little unforgettable thing. How do you feel about that?”

Bea responded, “We have to write this song!” As a whole, the song uses an appeasing trumpet to keep the fun vibe alive. It’s a funky pop song that speaks on loving the skin you’re in.

“Cause it’s my own and I’ll keep owning it/I’ma do just what I want on the regular/And it’s really not my fault if you’re scared of a/Sweet little unforgettable thing, unforgettable/Sweet little unforgettable thing, so incredible/No and I’m not sorry, I’m just loving my body.”

Lastly, Bea Miller’s recent album Aurora is a compilation of all the songs from the previous trilogy except it mixes in singles and unreleased tracks as well. From “crash&burn” to “outside” you’re going to catch a different vibe every time.

“crash&burn” is an electro-R&B and pop track that speaks on how this one special character has gotten through to her. She is certain that this guy is the one to stop her from crashing and burning.

An example of this is shown in the line:

“I know that it’s been written before/But I wanna let you know that I adore you/You’re the only one who makes me feel so high/But I won’t crash and burn this time.”

Whilst “outside” is on the funky electro-pop side. As the guitar takes lead, Bea Miller speaks about her feelings when it comes to depression. Her mind just runs around in circles and wonders why this is even happening.

All in all Bea Miller is an artist who gets what it’s like to have good and bad times. Regardless, she wants to enjoy her life because it’s too short and you only get one chance to do it. Life can suck and that’s totally fine. 

As a word of advice — you can pretty much get through anything with Bea Miller streaming from your playlist. If you get a chance check out some of her music while she’s on her Nice to Meet U Tour. 

 

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glitter tits 💸 thx chicago @mirandamcdonald

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Musician Christian Scott is innovating jazz in the 21st century

Christian Scott is an innovator within the second-century jazz movement, whose genre of choice is welcoming. Keeping the feeling alive, his trumpet incorporates as many cultural backgrounds and musical elements as possible.

From a listener’s standpoint, the trumpet’s tone is urgent and passionate. It helps to channel a voice that needs to be heard.

On the whole, Christian Scott articulates a balance between unity and sticking to your roots. Going beyond the white noise, he links many genres with its true descendant.

 

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Chief Adjuah. Cop Ancestral Recall🤘🏾💪🏾 Link in bio #stretchmusic #ancestralrecall

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A music-bred man from the “Big Easy” Christian Scott was born on March 31 with his twin brother named Kiel Adrian Scott who is a writer-director of many Award-winning films like The Roe Effect and The Bobby Brown Story.

At 11-years-old Scott received a Bach TR300 trumpet from his mother and grandmother which then prompted him to play. According to the trumpeter, it was an easy decision. He was boxing at the time and enjoyed it very much.

Still, in comparison to the sport, the trumpet fell in line. Scott said that it’s a very violent instrument. Like boxing, it is physically demanding and you have to stay in pretty good shape.

 

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Whisper Technique in action..the warm air produces smoke sometimes, I love it when it’s caught in photograph!

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By the age of 12, Scott was studying jazz with his uncle Donald Harrison Jr. who happens to be a legendary saxophonist. Secretly he wanted to play the saxophone but then he had an epiphany.

If he played an instrument that was related to his uncle’s, it would probably be easier for him to apprentice with Harrison and go on the road. And so, he traveled and went on the roads at 13.

Once he hit 14, Scott took his niche in the jazz world further and attended New Orleans Center for Creative Arts (NOCCA). After graduating from NOCCA, Scott received a scholarship to attend Berkeley College of Music where he graduated in 2004.

Between 2003 and 2004 he was also a member of the Berkeley Monterey Quartet and recorded as part of the student cooperative quintet. While at Berkeley, Scott gave himself a rule where he couldn’t leave school or go to sleep unless he wrote two songs that day.

Oddly enough, his practice came into good use and Scott caught his big break in 2005 after catching Kenneth Shurtlift’s eye, a former distributor at Concord Records.
Since then, Christian Scott has garnered attention from across the world.

His music is attentive to detail as it upholds its main message.

For Scott, he found his music’s message in his younger years. While attending William T. Frantz Elementary School, which was once a segregated school, he felt a certain energy in the classrooms that he just couldn’t shake off.

Yet Scott discovered that music was the safe haven of it all. Often he saw that people were getting along once it was played in the same room. From then on, he vowed to change the world through his sound.

Stretch Music was only the start of Scott’s divergent collection. The album cover even indicates that its sound would break all barriers in traditional sound. From its display of a bent trumpet that warps into shape, the listener can expect an out-of-body experience.

Stretch Music has a way of keeping one on their toes. The first song “Sunrise in Beijing” comprises Scott and stellar flutist, Elena Pinderhughes who adds in a sultry tone. It begins with a Bianzhong, a set of bronze bells that play in unison.

After the drums seem to take over but then they merge in and announce the arrival of Scott’s trumpet. While the trumpet blares at a low tone in order to express what it’s like to wake up, the three instruments find their common ground.

Soon enough the instruments let Elena’s flute lead the way. In turn, it adds some flair to what it’s like to get the day started.

“Liberation over Gangsterism” gives us a melange of hip-hop and jazz while expressing the oppression of staying in the streets. The trickling piano riff upholds the track as it surfaces around Scott’s trumpet, Elena’s flute, and a snare drum.

In a way, Scott’s trumpet expresses this struggle the most through high ranged notes. It isn’t easy living in a dog-eat-dog world. And Scott’s vision is all bite.

Likewise, Scott’s latest album Ancestral Recall seeks to explain how this all began and will end.

 

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Grab “Ancestral Recall” today! #ancestralrecall #stretchmusic link in bio

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Taking one back to “Her Arrival,” Christian Scott assists us with our luggage. We find ourselves at the heart of Motherland — one that’s filled with high excitement and love. At once we are greeted by a tribe who help us understand their ritual through a light chant and snare drums.

But Scott’s trumpet stands as a focal point. Full of triumph, it screams “this is your home” and the song continues with its two instruments of choice. Then there’s “Prophesy.” This song captures the pain endured in the future with dysfunctional machines and war-cry from the trumpet.

Yet there is still hope for the generation. Only time can tell. To sum it up Christian Scott is a revisionist. He really just wants the world to see eye to eye. Pretty soon his music will connect a myriad of cultural groups. After all, jazz is the world’s first fusion.

Take a listen to Christian Scott aTunde Adjuah’s latest album, Ancestral Recall, below:

Why you should be listening Lizzo: The funkadelic artist merging genres

The epitome of free-flow confidence and a “me, myself, and I kind of attitude,” Lizzo is well-grounded in all elements of music. 

Struck at the roots of her funkadelic style is defying bits of hip-hop, gospel soul, rock and even pop. Yet, her lyrics dig into the gist of things.

Like a true Taurus, Lizzo has the ability to see things from a realistic perspective. She’s hit rock bottom more than once. Still, Lizzo found out how to fuck with herself and pass along the message. 

In simple terms, she’s a body positive ally who doesn’t ascribe to one thing. One twirl at a time Lizzo speaks on love, self-worth, assurance, and Black girl magic. 

Recently at Coachella in sparkly leotards,  Lizzo was given a clear space to bust out some high range notes on her flute. Whilst allowing Sasha Flute to save the day, she played a bit of “Juice” and fans couldn’t help but sing along to the infectious tune.

At that moment, Lizzo was poised to show off her sass and sovereign female dominance.

Dubbed as Melissa Jefferson on a day where April showers brought May flowers, Detroit born Lizzo took a bit of shine to funk-soul and rap then moved to Houston, TX. 

At the age of 10, she received a flute from her father as a gift but at 14, Lizzo formed her own group. Moreso they called themselves “Cornrow Clique” and they took pride in packing heat when they rhymed. 

From high school to college, Lizzo clutched onto her flute. Eventually, she went on to study music at the University of Houston with a scholarship but everything changed once her father passed away.

After fleeing to Missouri at 20-years-old, Lizzo‘s window of opportunity opened when she met Prince. Once they got familiar with each other, they worked on Prince’s album Plectrumelectrum.

From there, Lizzo collaborated with other artists such as Bastille but this was only the beginning. After tweeting “I want to work with Lazerbeak,” The producer responded quick in agreement and simply asked for in return is payment in the Mike’s Hard Lemonade form.

The duo then worked nonstop on her skin deep debut album Lizzobangers. Thanks to a suggestion made by the producer about the song “Worship,” Lizzo transitioned to singing and has stuck with it since.

The beats at most carry a high base to triumph her differences — as stated in “W.E.R.K Pt II“ she doesn’t need to conform to gender roles. After all, she’s “such a freakin lady, classy and beautiful/Thinking like a man, for those who don’t understand/Is having two grips to gain the upper hand.”

Lizzo has always expressed her uniqueness through song.

Fast forward to 2019 and we have Lizzo’s most recent release Cause I Love You, an album that’s meshed with unapologetic notations, self-love anthems and a juxtaposition of genres.

It’s enough to tempt the most jaded old head to listen. Whether you love or hate her, she doesn’t care. As quoted in her song “Juice,”

“It ain’t my fault that I’m out here makin’ news/I’m the pudding in the proof/Gotta blame it on my juice.”

This album also reflects on her individuality — the flute being the forefront of its sound. Still, this album leans towards her harmonious ways than rapping style. From the opening, her notes can be heard well and the emotion is felt.

A great example is heard in “Cause I Love You.” Here she attempts to express her devotion to a man who changed her life.

“Got me standing in the rain/Gotta get my hair pressed again/I would do it for you all, my friend/Ready baby? Will you be my man?/Wanna put you on a plane/Fly you out to wherever I am/Catch you on the low, I was ashamed/Now I’m crazy, about to ‘tatch your name.”

On some real ish, Lizzo holds the crown. Even when her thick thighs can’t save lives, Sasha Flute always gets the job done. The multi-artist doesn’t hide emotion and is comfortable in her own skin.

On the whole, she’s ready to tell all. Said best by Lizzo in “Heaven Help Me,”

“Y’all, who you think you sassing? (Sassing)/Say whoa, baby, I’m a classic.”