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Teyana and Iman are showing America what Black Love really looks like

Last night (March 26th) was the premier of VH1’s newest reality show Teyana and Iman, and it might just be the best thing that’s ever happened to reality television.

You don’t have to be a VH1 loyalist to tell the once music focused network has transitioned to reality television. Hate and criticize all you want but it’s on par with what people demand, and the numbers depict that.

The appeal of ordinary people doing extraordinary things is an unbeatable formula. There’s a thrill in the idea that you also could be a celebrity featured on television and people seem to can’t get enough of it.

There’s an addicting component to reality shows that draws you to watch, just so you can prove you’re better than than who your watching or that your life is better. Researchers call it “hyper-authenticity,” and there’s plenty to pick from.

VH1 has America’s Next Top Model, Black Inc Crew, and Love & Hip-Hop just to name a few, and that doesn’t mention the Kardashian empire or the singing competition juggernauts like American Idol and The Voice.

Drama, suspense, and laughter are more bankable with reality television. It’s what makes them popular, but that’s also what makes Teyana and Iman’s show a game changer: the absence of antics and drama.

Iman Shumpert, who is a former member of the NBA championship Cleveland Cavs and current Sacramento Kings guard, wouldn’t do the show unless it was different.

Iman says in the show’s trailer,

“When I look at reality shows, it don’t look like reality to me. It’s so important to be a positive representation of Black love, that my mass actually got on T.V. to do it.”

The simple truth is that there aren’t any examples of Black love on television void scandals, infidelity and messiness, so the fact that Teyana and Iman are putting the passion they share in front of millions makes it a watershed moment in the culture.

In a genre where viewers want to emulate what they see, a married Black couple raising a child amidst of fame’s unforgiving spotlight is a refreshing image for a change.

The eight-episode VH1 series centers around Teyana Taylor’s singing/acting career and Iman Shumpert’s basketball/rapping career, but both claim their daughter Junie really makes the show.

Taylor tells People in an interview,

“She’s the star of our whole world. Honestly, like one thing we want to do is give Junie the freedom to do whatever it is her little mind desires because sometimes she’s singing and she’s playing in makeup and she’s putting on lipstick and she’s dancing, but then she’ll turn around, pick up a basketball and she’s trying to hoop. She’s tall.”

The first episode, ‘Meet the Shumperts’ is on VH1 now, and, take it from me, this is one reality program that does more good than bad.

https://www.youtube.com/watch?v=SD3zZntKrwU

4 young rappers showing the new generation how to finesse the game

One of the biggest hip-hop stories in the past couple years came when Cash Money CEO Bryan “Birdman” Williams, confronted Power 105.1’s Charlemagne Tha God on the popular and sometimes controversial Breakfast Club morning show back in 2016.

The radio personality upset the “Pop Bottles” mogul with his ongoing joke about Birdman giving out bad deals.

What resulted was a viral moment that can be summed up into one word: ‘Respek’

Birdman was visibly upset because he was called out for doing what every other record label had been doing in the hip-hop industry for years: ripping off their artist in what now is called “slave contracts.”

Look at TLC, who sold up to $10 million worth in records but somehow were only taking home $35,000 a year. Soulja Boy, the OG of internet rap, still can sell out shows internationally with successes like “Crank That”, “Kiss Me Through The Phone” and others sued his ex- manager in 2012, claiming he was coerced into signing multiple bad contracts and we all know from the Straight Outta Compton movie how Eazy-E and N.W.A. manager Jerry Heller dubiously handled the rap group’s finances.

But a trend is changing. Not only are rappers learning to say no to label deals, but they’re becoming savvy businessmen. Here’s a couple MC’s finding a way to make their own bread in a weird time in the industry.

Rich The Kid

YouTube

Take Rich The Kid for example. In one year’s time, he made the 2016 XXL freshman class, signed to the indie label Quality Control and 300 Entertainment and…. started his own label, signing his own artist in Famous Dex. Who does that? The audacity. I mean, he doesn’t even have an official album out yet.

But this is a new era where artists are taking control into their own hands are redefining what it means to be major players in the most influential genre out right now.

Rich The Kid is taking advantage of having a deal that allows him to pocket most of his change and he’s been capitalizing off of it. In addition to live performance fees and streaming royalties, Rich explained to Forbes mag that recording guest verses or chorus hooks on commission makes for a significant revenue source. He said,

“I make a lot of money off featuring, doing songs with up-and-coming artists… I can charge someone $10,000 to $15,000 to do one song.”

Smart. And when he’s not doing guest verses or doing shows, he’s taking business meetings with multimillionaire business owners, like Gary Vaynerchuk, who gives him advice on how best to expand his brand.

Think of rappers like Wale, J. Cole, Big Sean Kendrick or even Drake. They all made it a point to sign to a label. That was the culture then. Now, artists don’t care about singles or even about releasing albums. They’re starting their own labels, dropping mixtapes on iTunes and signing their own artists. The game has truly changed.


Chance The Rapper

YouTube

Chance is another guy who is putting his middle finger up to the ways of old. Quite literally. The 2014 XXL freshman cover finalist came into the game saying no to record deals, then started making deals of his own.

On day one of his “Be Encouraged Tour” in San Diego in mid-April he threw shade at the big time record labels. Dissing Aftermath, Def Jam, and Motown among others during his performance of “No Problem,” where the independent emcee famously warns labels not to try and stop him.

Somehow Chance convinced the Grammy’s to consider free music for Grammy consideration, released his second mixtape (yes mixtape) then went on to win three Grammy’s after that.

The new school is coming in cockier than ever.

Not to mention the endorsement deals. If you see anyone walking around with a “3” on a New Era hat, it’s Chance.

He is a brand ambassador for both the Bulls and the White Sox and he even came up with a new Kit-Kat jingle. And he hasn’t even reached year three in the rap game.


Lil Yachty

Sprite

Lil Yatchy aka Lil Boat has damn near heard it all. He’s been called poster-child for whack rappers, his music has been dubbed as “mumble rap” and he caught flack for not knowing much about Biggie and Pac. Whatever your opinion of Lil Boat, it’s clear that the self-titled “King of Teens” knows how to market himself.

Since Yachty first stepped on the scene last year the 19-year-old has become a hot commodity for brands across the spectrum. When PUMA and Pink Dolphin came together for a capsule collection last year, Yachty was brought in to be the face.

Lil Boat is a well-known Nautica aficionado, and early this year they hired the 19-year-old to be a creative director after a successful collaboration with Urban Outfitters last November. Even Sprite decided to use Yachty’s “Minnesota” in a 2016 commercial with Lebron James. Not to mention his Superbowl ad with Carly Rae Jepsen for the remake of “It Takes Two” for Target ad.

How’s that for mumbling?

The young artist has already broken into corporate sponsorships in a way that some rappers can only dream of.


A$AP Ferg

Traplord

We first got a taste of the Harlem’s own A$AP Ferg when he burst on the scene with his banger “Work” which appeared on the A$AP Mob mixtape Lords Never Worry, released in August 2012.

Since then, Ferg has dropped Trap Lord in 2014 and Always Strive and Prosper in 2015 —  both received great acclaim — but it’s his interest in fashion that sets him apart from his class and the artists who have come before him.

Pairing up with Astrid Andersen, a menswear designer from Denmark, for the former’s SS16 show, as the “Trap Lord” was brought in to curate the music for the show. They even worked together on a short film with Red Bull Catwalk Studios entitled, Water, which you can see for yourself below:

The game has changed. Artists understand that they have control. Whether it’s establishing their own labels, to making deals directly with brands, the highest form of currency is their online following.

As the game of hip-hop expands and demands more from the culture, it wouldn’t be surprising to see more and more new rappers out the gate land deals that previous artists had to make multiple albums and millions of sales to snag.

And I’m here for it.

You will fail dolo: Why you need a team to fall back on when sh*t gets tough

Why is asking for help so difficult? Is it trust? Vulnerability? When did it become shameful to lean on one another? How did isolating yourself get so popular?

In a time where we’re more connected than we’ve ever been it’s a shame how seldom we call on each other for help. The stigma of neediness and the fear of overstepping our friendship boundaries has left us depending on our own understanding.

Rick Ross really has people thinking he’s self-made, and the lie has spread to entrepreneurs and aspiring artists alike.

But here’s a newsflash to all the lone wolves out there: you will fail alone.

It’s easy to get lost in your own head with nothing but your own thoughts. It’s easy to live a life governed by no one else’s perspective but your own. Not letting anyone in takes less effort but you’ll find that it’s during these times when your best effort makes no progress.

And that’s why people who venture alone fail.

No matter what the endeavor, we can do nothing by ourselves. This narrative of Mr. Do-It-All is toxic and detrimental to one’s career.

https://giphy.com/gifs/solo-lamar-dolo-Ws2o6rCGcVU1G

The relationships we make, the family that nurtures us and the friends who have our back, all help add up to the total contributions that go into achieving success. Just because we’re not able to see or tell where the help came, doesn’t mean you didn’t receive it.

We begin to understand this best when we kill the ego.

The falsehood of heroism

The secret about assistance is that often times we have no idea we need it.

Our focus may be on our profession or the commas in our bank accounts — which might be doing well — but there may be other areas in our lives where we’re not experts in.

Take mental health for example. One in five American adults experienced a mental health issue and one in 10 young people experienced a period of major depression according too MentalHealth.gov. Because the priority isn’t necessarily getting into med school or nailing an audition, its something that often goes overlooked.

Jeff Goldblum When It Comes To Mental Health Dont Be A Hero GIF by Team Coco - Find & Share on GIPHY

The stigma of heroism and the feeling that we must conquer our demons alone sometimes comes from a sense of responsibility. We know we can do better and, in our heads, we’re “supposed” to be better, so we make our problems territorial.

Call it guilt or call it stubbornness but when we get caught up in fixing our own problems, we get stuck in the same place for years. When we detach from the perceived glory from defeating a problem alone, or overcoming a feat by one’s self, we’ll begin to see that we can make life a lot easier for ourselves.


Why team matters

We’re not perfect. Planes have parachutes and parachutes have back-up parachutes. The right friends should serve as such: catch falls for what we miss.

They’re not our parents or our protectors, but they’re reality checks to prevent us from seeing what only we project. Without them, pitfalls become easier to fall into and our scope for decision making becomes narrower.

You can see the value of having a team by looking at the individuals who lack one, or who thinks they lack one. There is a despair that come with loneliness.

Who wants to live in a big house alone? Who wants all the money in the world with no one to spend it with? Who doesn’t want someone to tell them when they’ve missed a belt loop or when there’s something in their nose?

A support team provides confidants to vent to, to overcome fear with, to bounce ideas off of, and people who can fuel you when you’re down. It’s amazing how liberating it is to feel like you can go to someone for help a limitless amount of times and not feel any judgement at all. You’d be surprised at what you can accomplish and the network you can establish. That’s the goal.

Assist Lebron James GIF by North Coast Authentic - Find & Share on GIPHY

If you plan on accomplishing your wildest dreams alone, think again. Even if it’s on networking basis and strictly professional, you’re going to need individuals in your life you can trust to check all the spots you may fail to.

The relationships you make now are pivotal, and until we master them, our glow up will be that more difficult. Making sure your surround yourself with like-minded people who make you better is huge in dictating you future success.

The truth is, you really ain’t shit without your team.

Why we need Wale: A look into why his raw talent outweighs his likability

It wasn’t until this past winter, when Wale’s word on taking a break from social media rang true, that I realized we needed Wale.

Now, if you’re on Twitter or following the conversation you hear and see, you’ll probably say that Wale was trash. You’ve probably laughed at a meme of Vince Carter dunking his album into a recycling bin or snickered at some retweet that no one cares about his music.

Twitter

Because, the truth of the matter is, not a lot if people like Wale.

Wale’s likability does not bode well pretty much anywhere, and its hard to place the blame on anyone specifically. It’s been more of chain reaction than anything — a domino effect, if you will. It’s been a pulling and pushing of trying to convince everyone he’s good enough and just letting his music be for who it’s for, which is partially his fault.

But this is why Wale is so valuable to hip-hop.

If I Told You That I Love You GIF by Ultra Records - Find & Share on GIPHY

Who doesn’t relate to always feeling like you’re not good enough or that you must prove yourself to everyone? Who isn’t in it for the glory? To be the best? Hip-hop doesn’t have enough rappers who show their emotion on their sleeves; who are transparent with the toils of success and the pursuit of it. But that’s Wale.

Wale said in an interview with The Breakfast Club,

“I don’t care about the money, jo. I like the sport of rhyming. I want to have quadruple enterdres on certain records and everybody to be rewinding them… that’s what I care about.”

It’s why, in late December of 2013, he spazzed out on Complex for not making their  “50 Best Albums of 2013” list, it’s why he used to go back and forth with nobodys on Twitter, and it’s why he suffers with anxiety.

Swipe Scrolling GIF by Wale - Find & Share on GIPHY

Though he social hiatus was short, when he returned with the LeBron ‘decision’ aviator on Twitter (which we later found out meant he’d left Atlantic), his shoe collection stunt on Instagram, and his newest EP, It’s Complicated, it felt like someone you knew hadn’t gave up.

Wale has released five major studio albums, gone gold twice, is Grammy-nominated and has a history of dominating the urban radio. Yet, it still feels like his career isn’t quite in the place it deserves.

On one hand, he easily one of the nicest with a pen. From his spoken word intros to his wordplay, he’s gifted at putting words together. But it’s understandable for someone not to like his sound. Which is okay. It all about ignoring the negative and embracing the positive.

The problem is that it’s fun to hate, and Wale, in part, has made himself an easy target.

When the smoke clears , we still want the smoke 🌙 📸 @madworksphoto

A post shared by Wale (@wale) on

I’m sure there are people you can point out with positions you believe you deserve and I bet you’ve had recognition left on the table in one area of your life or another, which is why figures like his matter in public light.

Coming in with the class of J.Cole, Drake and Cudi, Wale has always felt like he’s been the least-embraced of his peers. You can even compare him to the class after — with Kendrick, Big Sean, and even Wiz — it always seems like Wale has never gotten the respect he deserves.

Wale’s stint with Interscope went left after poor sales of his debut studio album, Attention Deficit in 2011. In 2014, Wale amicably split with Roc Nation (around the same time Meek Mill called him a cornball and that he was no longer MMG) and, as of February of this year, after six year and three albums, Wale has parted ways with Atlantic Records, the major label which umbrellas the Maybach Music Group empire.

Yet, here he is, with another project, not missing a beat.

Since 2009, when Wale first came to the majors, he’s released a studio album every two years. Not only is that consistency, but it’s more than what the majority of rappers can say. It’s part of the reason he named his latest single “Staying Power”.

“Lately been feelin’ like niggas doubt me/Trust me, they don’t got no staying power/Left Atlantic, about a minute later/Every record label try and scout me.”

We need Wale because we need to see the reality side of things for a change.

Not just the deals, the highs and the success — but the fears and doubts. The longing for more, the dissatisfaction and the balance through turbulence.

He’s not perfect and he may not even be your favorite, but he’s honest, and that’s worth something,

5 jewels about being a legend Diddy blessed us with in his GQ interview

Diddy is an ageless wonder.

His list of accomplishments, impact and tenure can be stacked up against any of the greats — not to mention he managed to build an empire in the process.

With almost three decades in the industry and going (see his credits to Nipsey Hussle’s Victory Lap), the term legend could not be more fitting.

As Diddy races Jay-Z to a billion, he has been even more in the forefront of the public’s attention as of late. He’s the face of Ciroc, a judge on the latest national singing competition, The Four: Battle for Stardom, he changed his name to (Brotherly) Love, and he’s been pretty active on his social platforms promoting Black excellence.

It made sense that GQ decided to do a spread and sit-down with the hip-hop mogul.

If you know anything about Diddy you know he has a lot to say and means every word when he say’s it. And on cue, he delivered quite the gems in this spread.

Here are the five jewels from the interview.

Diddy’s name is Love, seriously

After first claiming he was kidding when he initially announcing the name change, it appears Diddy actually going through it. It’s not Puff Daddy, P. Diddy, Diddy or any other variation. It’s Love. He tells GQ,

“I like re-inventing. That’s probably why I have so many name changes. It’s why I follow David Bowie and Madonna.”


Culture keeps Diddy going

Diddy is creeping up on 50. He’s won Grammys, has money, the dream girl, the fly kids. So what keeps him going? When posed the question he responded: “My culture.” He continued,

“I want to be an authentic, unapologetic warrior for Black culture and the culture of the street and how it moves. My thing is most importantly to change the narrative of the Black race. I can’t relate to anything that isn’t about that.”

And what a time to be immersed in the culture. One could argue that now, more than ever, the demand for Black culture is at an all-time high. Even with ongoing systematic hurdles, the African-American experience is inescapable.

Seeing this power, Diddy sees potential in the ability of tapping into it for the betterment of it’s creators: us.


Diddy is building an app with Jay-Z

In the GQ interview Diddy also reveled that he and Jay Z were working on an app that would help Blacks locate Black-owned businesses near them, making it easier to spend money within the community. He said,

“This is not about taking away from any other community. We’ll still go to Chinatown. We’ll still buy Gucci! But the application will make it possible for us to have an economic community. It’s about blacks gaining economic power.”

Love and Jay-Z have been in talks of advancing the culture forward, and what better way than helping connect.

A post shared by Diddy (@diddy) on


Diddy’s son wants to run Bad Boy

The write-up ventures a bit to Diddy’s sons, as the interview and photoshoot took place at their home. In talking in brief to Diddy’s oldest son, Justin, it came to light that he one day saw himself running the Bad Boy empire. He said,

“I want to be the second coming of him. Just being around my dad and seeing what he looks for in talent, that’s very exciting.”

The fact that Diddy is already grooming his son and planning on passing it down from in-house is dope.

I’m sure it’s going to be some time from now, but when it’s time, Justin will be ready to take Bad Boy to the next level.


Diddy went to Sedona, Arizona to beat depression

Love still hasn’t properly dealt with the passing of Biggie, the deceased rapper and Brooklyn legend who highly was regarded as the best rapper of all-time and one of his closest friends.

When asked if he’s seen a therapist about it, he answers that he hasn’t. According to the the rapper/producer, he tried to get into it but hurt too bad. “That’s a time that’s still suppressed,” he admits.

He didn’t state whether it was in relation to the healing that hasn’t taken place, he Diddy admitted that he fell into depression two years ago and that he felt “far away from God.” So he went to Sedona, Arizona where the vortexes are.

It is there where Brotherly Love reconnected with his magic. He was hearing new songs in his head. “I’m not 100 percent knowing how to come up with the sounds yet,” he said, but he felt almost ready to compete on the radio again.

Diddy and Jay Z’s new app will help you find Black-owned businesses near you

The call for Black entrepreneurship has been loud in the urban and hip-hop community over the past couple of years.

You can look as far back as 2016, when Killer Mike and Solange Knowles suggested switching to Black banks, and you’ll see how far back theres been a call for Black empowerment.

And since it’s only gained momentum.

Last year G Herbo’s Humble Beast and Jay Z’s 4:44 albums reiterated the theme of Black entrepreneurship from top to bottom. Herbo came with a street point of view while Jay dropped life gems, yet they both were successful in reaching their audience.

The energy Herbo, Hov, Solange, Killer Mike, and others are on, is the same energy that pushed Marvel’s Black Panther to a billion dollars in gross sales and the same energy that makes Cardi B having the number one song in America special: Black excellence.

In a time where it feels like the Presidential administration doesn’t have our best interest at heart, the most productive and immediate action one can respond with is investing in oneself. The idea of black empowerment though collective wealth is nothing new, but thanks to 45, has the most life it’s had in recent years.

Diddy has taken this energy and has flexed his personality and money behind it to a degree only the Bad Boy CEO can.

Every morning he tweets out a motivational message, he’s changed his name to Love, and, as he revealed in his magazine cover article with GQ, he and Jay-Z are in talks of developing an app that helps users find black-owned and black-friendly businesses near them.

https://twitter.com/Diddy/status/972983251613691904

https://twitter.com/Diddy/status/971037224472072194

https://twitter.com/Diddy/status/969989542538301447

“This is not about taking away from any other community,” Combs said. “We’ll still go to Chinatown. We’ll still buy Gucci! But the application will make it possible for us to have an economic community. It’s about blacks gaining economic power.”

The app has yet to be named and we’re not clear how far in negotiations the two moguls are, but if brought to life it would simplify the task of circulating the Black dollar.

Having a rolodex of  black businesses at your fingertips not only conviences navigation, but shows that there are other entrepreneurs like you, and will encourage you, and possibly others, to go out and start their own business.

“I don’t believe in passiveness,” Combs added. “At some point there has to be some kind of fight. I feel like we’ve done a lot of marching. It’s time to start charging.”

Jay- Z has been just as, if not, more busy. The news of this joint venture comes days after investing $3 million in a startup company named Promise —  an alternative for non-violent offenders who can’t afford to be in prison or make bail.

Jay has always been vocal about his disdain for the justice system. He was a producer on the Netflix docuseries Time: The Kalief Browder Story, which spread light on the $9 billion dollars wasted incarcerating people who’ve not been convicted of a crime. Hov also helped bail out locked-up dads on Father’s Day, and he’s been very active in speaking out on the injustices in Meek Mill’s case.

Establishing longstanding nationwide economic stability for Blacks and POC is difficult, but is something that Jay and Diddy clearly believe they are in part responsible for given their net worth and influence.

There is no date on when the app will be released on any details on registering for the app, but at least we know a significant seed has been planted.

We all know we have a part to play to help improve the quality of life for ourselves and hopefully this app will make that responsibility a little easier.

You don’t have to starve to be an artist: How to calculate your success

Following your dream requires bravery. No matter what that profession or life looks like, it often feels like a giant leap is needed when it comes to pursuing it.

This “free-fall” feeling — where it seems like your heart is in your throat — happens because it takes drastic measures to shift your life. To go somewhere you’ve never gone, you have to do something you’ve never done.

However, there is a practicality that has to be included if you want any of it to come into fruition.

Without calculation, the ability to learn from your mistakes, and a clear strategy, you’ll find yourself jumping in place, or even worse — backwards.

We should dream with no limits. We shouldn’t have restrictions on what we envision ourselves accomplishing. But if we don’t guide those dreams with logistics, we’ll end up doing more harm than good.

You don’t have to starve to be an artist

Somehow, somewhere the term “starving artist” came into popular culture and was engrained in the idea into brains of creators that must struggle in order to be an artist.

Similarly, the mantra of following your dreams was universally adopted without adding that in doing so, it takes great detail and calculation as well. These days, being “all-in” means living strictly off the crop of your talents and anything else is a cop-out.

Not only is this ideology backwards, but it’s toxic misinformation and fundamentally contradicts any example of success you can find.

It’s okay to have a 9-5 or a 5-1. Yeah, you’re “selling your soul to corporate,” but you’re keeping the lights on, paying bills and being a responsible adult, too. Just make sure that you’re dedicating your extra time to the bigger picture.

You cannot discredit progress. A vision is alive as long as it’s not lost. So we shouldn’t feel less of an rapper, or business owner or actor just because we don’t do it full-time.

Planning doesn’t mean that the plan will 100% work. Or that you won’t take risks. Planning just means you have a focus. 


You have to start somewhere

Success takes just as much risk as it does planning. You have to put yourself in a position to win and sometimes that takes leaving your family or friends behind, locking yourself in your room for ten summers, or sacrificing your quality of life.

A lot of us are afraid to embrace that jump. Some of us are too comfortable with being cozy, and that’s why a lot of us are stuck.

Now, that doesn’t mean flying across the country and planting yourself in a different city to live out your car, either. You can commit to your passion from right where you are now.

You can take a class to hone your talent, put money aside for potential resources or work on that vision on the side. As long as we start somewhere, that’s the most important part. Then it’s a matter of not giving up.

There’s no excuse to keep a dream dormant when we live in a day and age where putting yourself on can happen in a matter of clicks. No matter the hobby, passion, or  desire, a dream without signifiant individual investment will never prosper.


Methodology

Success is game of taking calculated risk. It’s a constant tug-of-war between self-sufficiency and the much larger life you’ve always envisioned for yourself.

It takes aiming, missing, adjusting, and aiming again, only to maybe getting a breakthrough, then repeating all over again. It’s the scientific method to pursuing your dreams. Shooters need to shoot.

A nuance of both calculation and risk-taking must be mastered to achieve your dreams.

We cannot sit on our hands and wait when there’s something that can be done, and at the same time, we cannot invite unnecessary struggle just because we think that’s how it works. There are enough necessary struggles for everyone. 

Pursuing a dream doesn’t always mean changing the scenery or your look. Unless we learn how to go about our ambitions practically, we’ll end up making the journey longer and more difficult.

Take leaps of faith when the opportunity presents itself, not when there isn’t a place to land.

H&M proves they ain’t shit again again, start stealing graffiti from artists

After receiving backlash this past January for it’s racially insensitive ‘coolest monkey in the jungle’ ad, which featured a small African-American boy, today the retail giant H&M finds itself amid controversy again.

This time for attempting to steal graffiti.

Though already a downhill battle, the Swedish fast-fashion brand is in the middle of a copyright battle with artist Revok. The graffiti artist, who’s formally goes by Jason Williams, sent H&M a cease-and-desist letter after one of his murals appeared in an ad for the brand’s New Routine line of workout gear.

H&M

Revok claims the ad was an “unauthorized” use of his original artwork,” and, additionally, could cause consumers to familiarize his work with H&M’s brand even though the relationship between the two doesn’t exist.

This is not the first time H&M has been accused of copywriting artists’ work and creating pieces similar to their original designs. In this instances, Revok was adamant about people not associating his work with the H&M name.

Painting.

A post shared by @ _revok_ on

In response to the cease-and-desist H&M filed a lawsuit claiming Revok didn’t own a copyright because, like most graffiti, his mural was created illegally.

“The entitlement to copyright protection is a privilege under federal law that does not extend to illegally created works,” the brand stated in a letter to Williams and his lawyer.

Their plan of action took the ire of many. Come to find out, trying to bend litigation to rob artists of their own art does not bode well with the art community. Several artists started a new campaign to boycott H&M.

One in particular was Kaws, a world-famous graffiti artist turned sneaker-designing superstar who drew a picture of a headstone that read “R.I.P. H&M” and posted it to Instagram.

In response to the petition H&M issued a statement backtracking on their initial stance.

“H&M respects the creativity and uniqueness of artists, no matter the medium. We should have acted differently in our approach to this matter. It was never our intention to set a precedent concerning public art or to influence the debate on the legality of street art,” the company said.

However, they have not withdrawn their lawsuit. It seems that regardless of controversy, H&M remains headstrong. In late January they announced plans to close 170 stores and since December, the brand’s stock price has fallen from about $21 to $16.

For Revok and artists everywhere one would hope that H&M does not get away with this.

It speaks volumes to what cooperations can get away with and shows that there are little protection for independent creatives. Only time will tell.

Desus and Mero roast DJ Envy, apologize, then roast DJ Envy again

As we’ve seen in the past, anything can go down during an interview Breakfast Club.

The New York radio program that’s become a household name due to it’s antics and knack for tacking touchy topics, proved just that yesterday during Thursday’s interview with Viceland’s Desus and Mero.

Out the gate, in what was apparently a brewing vendetta against the comedic duo, DJ Envy began with fiery disrespect, introducing them as “dickhead” and “pussy.”

His issue, as we would later find out, stems from jokes Desus and Mero made of he and his wife over a month ago when they appeared on the daytime talkshow “The Real,” where his wife Gia, went into detail about Envy cheating on her in the past.

“You owe my wife an apology,” he starts.

“My wife has been with me since I was 15, before I had a dollar. She was making more money than me. So to insinuate that she was there for a check or that she’s good with Envy’s check is a disrespect to me,” he continued.

Envy has a point: if he does not want his wife mentioned then he does not want his wife mentioned.

So, they apologized. But even after the apology and gaining clarity Envy still walked out of the interview, bringing into question asking for the apology in the first place.

Being that Desus and Mero have their own platform, they didn’t miss out the opportunity to capitalize on the moment, doubling down on their initial roasting, and coming at Envy’s life on their program last night.

“You felt that strongly and your wife wanted an apology, why didn’t you call us the same night?” Desus asked.  “We made a joke about you being a on a show with your wife discussing why — I don’t gotta say it, y’all know why y’all was there,” Desus said. “And you getting mad at me?”

Whether Envy was legit upset or this was a publicity stunt, he clearly got the short end of the stick during this exchange.

Not only does he just look silly, he walked off his own show and gave his enemies more supporters. That couldn’t have been his plan.

https://twitter.com/904everboy/status/974269677106073601

The Bodega Boy brand is a lot more brolic than Envy was expecting. It’s always crazy to see grown ass men go at it and be super petty like this.

The question is who really wants the smoke? I wonder how this is all going to end!

8 of the realest Curren$y quotes that will motivate your hustle

Curren$y is a national treasure in the rap game and should be protected at all costs. Although placed on the 2009 XXL freshman cover the New Orleans-based rapper was signed to Master P’s No Limit Records in 2002 and Baby and Lil Wayne’s Cash Money Records in 2004. He’s been out here a minute.

However, it was through his underground hustle after leaving the major labels when Curren$y found himself and the sound that ultimately gained him his loyal fan base.

Instead of adapting to the subject matter of his peers, Spitta embraced his own interests and turned his lifestyle into a rap career. Weed, sneakers, mobster flicks, lowriders, and getting women was the lane of his devotion all which was backed by great production and his patterned relaxed non-stop flow.

But once he mastered the content he didn’t stop there. He began to outwork everyone, ushering himself into the “Most Prolific Rapper of All-Time” conversation by having over 50 projects under his belt.

That toil of pumping out mixtape after mixtape after mixtape got Curren$y signed with Asylum/Warner Bros. Records and securing a label deal for his company Jets International in the signing.

That’s boss shit. Not only did Spitta leave the big leagues, he did it his own way and maintained his integrity in the process.

So I took the liberty of going through just a couple tracks of his prolific discography to find some hints that may reveal how exactly he conducted his hustle. This is what I found.

Coming from New Orleans and not fitting the particular mold for of your typical rapper, if there is anyone that can tell that anything is possible it should be Curren$y the hot spitta.

We’re talking about a rapper who wears jogging pants and basketball shorts the majority of the time and plays with toy cars on his Instagram.

His creed that remaining true to self can still bring forth success is not only evidenced in how he dresses but in his career trajectory as well. It’s easier to hustle and go get it when you’re living as your best possible self as well.

As a lover of mob films, it’s quite natural to hear Curren$y make references to films like Casino, Scarface or, in this case, The Godfather.

Curren$y understands business. It would be impossible for him not to in order to navigate the underground world. Between managing his own label and apparel, it’s imperative to maintain focus, so naturally he’s got little patience for distractions or people who do not match his work ethic. Even when it comes to blood ties.

Next time you’re wondering why you’re not where you want or where you think you ought to be, take a look around and make sure that you have nothing but like-minded soldiers around. Even if that means excluding family.

So many people make it to the top, get some money, then lose focus and stop grinding. Here, Spitta puts us on game and sheds some light on just how his mind works. He goes after the money, gets the money, then plots on securing the next bag.

It’s a non-stop mentality that may be hard at first but can develop into a healthy habit. Have an engine like Curren$y and you’ll find yourself reaping benefits beyond what you’d dreamed.

It’s counterproductive to have anyone on your team who does not share your vision.

To me, when Spitta says paper chasers, he’s not only talking fellow artists or even anyone in his industry per se, but he’s speaking to anyone who does not match his level of ambition.

When you’re on your grind, no matter how hard you try or the level of success you may appear to achieve, you won’t peak unless everyone around is motivating you. And that’s a key to Spitta’s success.

He surrounded himself with hard workers and it pushed him to work hard as well.

Hustling is going to bring success. It’s inevitable. When you plant seeds, eventually they will yield a return. Curren$y is saying when that opportunity comes, stick to the vision and do not falter for offers that even remotely deviate you from your dream.

Curren$y knows this first hand. As someone who was signed to a major label, worked the underground circuit, then resurfaced when he found the right deal for him, take it from Spitta, you can pave your own lane.

Curren$y is one of the least flashy paid rappers in the game. Between his revamped old school whips and his Ferraris, he does not move like someone who can afford these purchases, but that’s because he also knows about investing and stacking.

In an age of the (often fake) stunt and the flex (ask Shad Moss), take it from Curren$y that your hustle should involve stacking for rainy days.

This is Curren$y’s gangster way of saying everything that sparkles isn’t gold, and the concept is still brilliant.

Whether it’s labels, sponsors, or even features, your hustle should be calculated and should lack compromise.

You cannot amass the loyal following that the Jet Life leader has without jumping on every perceived plane. Be wise in your “yes’s” as well as your “no’s”.

Know your worth. When you put in the work, no one besides you can tell you what you deserve.

Curren$y believes in himself as a rapper, and even more as a businessman, and decided to take matters in his own hand. For you that could mean quitting your job and creating your own platform, or demanding a raise.

Whatever it may be, make sure you keep your value in mind at all times. It’s how you protect your hustle.