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12 of the best remixes to the Three 6 Mafia’s banger ‘Who Run It’

Its been 18 years, but thanks to a freestyle from Chicago’s G Herbo on Dallas radio station K104FM a couple of weeks ago (March 16), Three 6 Mafia’s stand out single, “Who Run It,” has returned to the forefront of popular culture.

Coming off of Three 6 Mafia’s fourth studio album, When the Smoke Clears: Sixty 6, Sixty 1, “Who Run It” feels like a blast from the past. The full, in-your-face sound that era strived off of is in full force and G Herbo floats on it perfectly.

I WAS FUCKING WIT K104 IN DALLAS EARLY YESTERDAY

A post shared by G Herbo ✨ (@nolimitherbo) on

After G Herbo uploaded the clip of the freestyle to his Instagram, Drake was prompted to reach out and show love.

In doing so he also encouraged the Chicago rapper to release it as a song. So he did.

Since then, it’s been a race to see who can upload their “Who Run It” freestyle first.

There’s been remixes from everyone from Young MA, Lil Uzi, A$AP Rocky and even the originator, Juicy J, remixed his own song.

Theres been many submissions, but we’ve gone through the ten best remixes and have complied a list below for you listening pleasure.

We’re all for Three 6’s legacy living on, and the younger generation has been great in paying homage.

G Herbo


CupcakKe

https://youtu.be/S9nGdtteNSk


Young M.A.


Lil Yachty & Trippie Redd

https://youtu.be/gdP1wnm0hwU


G Herbo feat. Lil Uzi Vert


21 Savage


Dave East & Vado

https://youtu.be/Pe5-EYJBlzs


Chief Keef & Edai

https://youtu.be/bYMEIm95UO4


A$AP Rocky

https://www.instagram.com/p/BhIIyusA6za/?utm_source=ig_embed


Rico Reckless

https://youtu.be/tm9D1uwES48


Sauce Walka


Maxo Kream

https://www.instagram.com/p/BhRzRG8h8Ef/?utm_source=ig_embed


Juicy J

https://youtu.be/35qmps2WRl0

If their Academy Award or Juicy J’s longevity hasn’t convinced you, surely their emergence in hip-hop, yet again, in 2018, will.

Three 6 Mafia is forever.

What Cardi B’s ‘Invasion of Privacy’ proves about being successful in hip-hop today

Cardi B is a rap star. Like, a legit household name in hip-hop that you must take into account when discussing the who’s who in the industry.

Hours after it’s release, her debut album Invasion of Privacy went gold (thanks to the massive success of the single “Bodak Yellow”), she’s co-hosting late-night programs, opening SNL, and doing whatever else you can imagine. When it comes to mainstream, Cardi has more than transcended that threshold.

However, prior to 2016, when she released her first body of work, Gangsta Bitch Music, Vol. 1, Cardi hadn’t done music at all.

In fact, she was internet famous from Instagram and had just begun dabbling in the music industry with Love and Hip-Hop. You can say she’s been making music seriously for less than four years before her now inescapable fame.

Despite her inexperience, she’s sold well and has gotten rave reviews. In fact, Pitchfork gave her a higher rating than Jay-Z’s 4:44, Tyler, The Creator’s Flower Boy, and even Kanye’s College Drop Out .

While her rapping wasn’t anything spectacular and her singing voice, not the best you’d hear, somehow she’s managed to do what millions of aspiring rapports dedicated their entire lives to accomplish: making a successful hip-hop album.

Cardi B’s Invasion of Privacy proves that it’s not always the most talented that wins, that likability does wonders, and that social media is a powerful tool.

When you bring these factors together you become an asset worth investing in, such as the case with Cardi B.

Talent does not always win

You can reference Tink, Rapsody, Noname or countless of female rappers who are fundamentally more talented than Cardi B.

The Bronx native is a treasure and this is no shade, but it’s safe to say that her rapping skills don’t exactly have the “wow factor” her contemporaries possess. Yet, she scored an 8.6 from Pitchfork and has had a number one song on the Billboard.

That’s because talent does not always win.

When you listen to Invasion of Privacy, you feel everything you experience when you consume Cardi B in whichever medium you may catch her. It’s fun, it’s relatable, it’s personal, it’s authentic.

A lot of times we may wonder why certain artists aren’t bigger than they are, and that’s a part of it: they’re not able to convey a relatable enough story through their music. Cardi B and her team were able to do that in a genius manner.

Songs like “Bickenhead” which is new fun re-do of Project Pat’s “Chickenhead” and “Be Careful” which is a raw heartbroken ballad that is perfect for singing along, are examples of how she leans on what she knows and how she excels by staying in her lane.


Social following helps

Cardi B is a social media savant and gets that her transparency appeals to her constituents. She’s given dating advice from the perspective of a Bronx stripper and has been very honest about surgical augmentations that were done to her body.  So, when it was time for the release of Invasion of Privacy, it was only right that her hive supported in droves.

Cardi’s presence on Instagram, Twitter and Snapchat is a testament and should be a case study to how to be successful in music in this era. The larger the social following, the more markets you reach.

As before where radio boxed you into specific regions and particular audiences, social media opens the doors to whomever you can get to buy in. This put Cardi B a step ahead when she did decide to pursue music two years ago.


Resources are everything

Cardi B signing to Atlantic Records in 2017 was one of the best decisions she could have made. The independent lane has been gloried of late, a la Chance, Tech Nine, and others, but when you’re already bubbling — as Cardi was, being on cable television and having had a social following– sometimes all you need are the right resources to help optimize.

Her biggest single “Bodak Yellow” and the lead single to Invasion of Privacy, “Be Careful” both have writing credits to Jordan Thorpe, which is the pen name for New York rapper Pardison Fontaine, and she’s been open about having multiple ghostwriters on the project.

Invasion of Privacy is carried by names like Chance tha Rapper, SZA, 21 Savage, Migos, and Khelani, not to mention a press tour that has not missed a news outlet yet. All these things help, especially when you’re brand new to the music industry.

How Invasion of Privacy was catered around Cardi B’s strength’s — the rollout, the features, coupled with her reliability and popular social media presence, all go into what makes Cardi B the hottest name in hip-hop right now and why her album is actually a decent listen.

Though it makes you happy for Cardi, it also makes you think what that means for other viral successes who want to leverage their influence and optimize their following?

If all it takes is some authenticity, a mass following, and a team with the resources and vision to mold just the right album around you, why can’t others follow Cardi B’s footsteps?

Jake Paul, a famous YouTube star who makes millions off his YouTube channel, was rumored to have signed with Atlantic Records just last year and the infamous ‘Catch me outside’ girl, Danielle Bregoli, who goes by Bhad Bhabie, signed with Atlantic Records in 2017.

None of the two have a background in rap and neither of them attempted music professionally until after having viral fame. The perfect case study is Boonk. He is a kid who got viral fame from being a menace to society. Out of nowhere, he has pivoted and just recently started doing music. The transition seems to have gone smoothly as he has already shared the stage with Lil Pump and Lil Yachty.

I see talent in Cardi B; there’s something special about her and she could have a long career if she wanted. What she has opened a door to – an internet sensation with the right team has a shot at the hip-hop crown.

Whether that’s a good or bad thing for the genre is for the future to decide.

Karena Evans is the 22-year-old director who shot Drake’s last 2 videos

Assisting Drake’s comeback from his brief hiatus has been the visuals alongside the singles he’s dropped.

His January offering “God’s Plan” has surpassed “One Dance” as the longest number one in Billboard Chart history clocking in at eleven consecutive weeks and “Nice For What” is already at 12 million views and that dropped just three days ago.

The records are big on their own, don’t get me wrong, but it’s been the compelling videos that’s accompanied that’s been the real difference maker.

Probably the best part of them both? They we’re both directed by 22-year-old Karena Evans.

Two days ago famed and accomplished videographer Director X took to his Instagram to  praise the his young protégé.

In a video that shows the behind the scenes footage of the “Nice For What” video, you see a young Karena taking charge of the set. He also shared the inspiring story of how she started out as an intern and worked her way to becoming a director.

Off bat Karena brings something different to the table, and you can sense that by watching both of Drake’s videos.

“God’s Plan” dedicated almost the entirety of it’s budget to giving back to the Miami Dade community and “Nice For What” featured 15 of some of the dopest women in Hollywood.

In an industry that’s been plagued with misogyny and has historically been criticized for objectifying women, this is quite the page turner; and you’d have to thank a 22-year old woman of color behind the camera for that.

While Drake has received criticism for publicizing his philanthropy in “God’s Plan” and accused of pandering to the women empowerment movement, it’s really just been the fresh perspective of a young girl with creative control. Say what you want, but a different point of view has long been overdue in hip-hop, and Karena is paving the way.

https://twitter.com/Dr_Sweets23/status/983532381784199168

https://twitter.com/emo_beb/status/983547889103204352

https://twitter.com/RealLifeKaz/status/982722098547355650

While people try and decode Drake’s marketing schemes, the real hero here is the 22-year-old Toronto native who has directed two of the biggest music videos in 2018.

What her emergence hopefully means is a future in hip-hop where more women can give input and have a voice.

We’ve already seen a glimpse of what it can do. “God’s Plan” and “Nice For What” felt different because they were different; and different is good.

The more women are given a chance to be gatekeepers and influencers in hip-hop, the more hip-hop will get it right when it comes to speaking on and for women.

This past March Cardi B did not bite her tongue when it came to the #MeToo movement and it’s exclusion of video vixens in hip-hop videos. It hasn’t exactly exploded like it has in Hollywood but it still a real issue.

“A lot of video vixens have spoke about this and nobody gives a f—k,” Cardi told Cosmopolitan in an interview published in March. “When I was trying to be a vixen, people were like, ‘You want to be on the cover of this magazine?’ Then they pull their dicks out. I bet if one of these women stands up and talks about it, people are going to say, ‘So what? You’re a ho. It don’t matter.'”

The more Karena Evans we have, the more these types of issues become suppressed. It’s a trend that is bound to happen, and one that Karena is spearheading.

4 jewels Jay-Z blessed us with in his David Letterman interview

There are few things rarer in hip-hop than a Jay-Z interview.

The 21-time Grammy winner and aspiring billionaire has transcended the status of a mere rapper, so, naturally, certain media stipulations just don’t apply to him.

The last time Jay gave an interview was when he appeared on the Rap Radar Podcast during his press run for 4:44, and that was in-house.

Now, thanks former Tonight Show host David Letterman, we’ve been blessed with another one.

The fourth episode of Letterman’s in-depth Netlfix series My Next Guest Needs No Introduction With David Letterman, which has had guests from George Clooney to President Obama, is back with Shawn Carter as his latest guest.

The 50-minute interview which dropped on Netflix Friday touched on a myriad of topics including infidelity, his mother’s sexuality and Kanye.

Given how Jay-Z sit-downs come few and far between, I found it irresistible to bring out his most memorable moments with Letterman. A good interview leaves the viewer with new information, so here are my takeaways.

Jay-Z has always owned his music

Jay Z Izzo GIF - Find & Share on GIPHY

Jay-Z to Letterman:

“I came into the game as executive producer and the owner of the label of my first album.”

Everything Jay preached on 4:44 — black entrepreneurship, financial responsibility, etc. — is the same rhetoric he’s been peddling since the beginning of his career.

Coming into Def Jam in ’97 with the savvy to sign as a partnership, become president and then to branch off to form his own shows why he’s in the position he is today.


He and Kanye are ‘beyond friends’

Excited Kanye West GIF by 2020 MTV Video Music Awards - Find & Share on GIPHY

On the opening record of his most recent album 4:44. Jay-Z gives more attention that he normally would to anyone when he addressed his feud with Kanye West.

“You walkin’ around like you invincible / You dropped outta school, you lost your principles / I know people backstab you, I feel bad, too / But this ‘fuck everybody’ attitude ain’t natural / But you ain’t the same, this ain’t KumbaYe / But you got hurt because you did cool by ‘Ye.”

He’s speaking, of course, about Kanye spazzing out at shows back in 2016 and addressing issues between he and Jay in a public manner (which we all know you never do). Knowing this Letterman dive right in, asking if Kanye and he were friends.

Jay-Z responded:

“That’s my brother. We’re beyond friends. Like literally, my little brother is Kanye. And like your little brother, things happen sometimes.”


Jay-Z feels like “Young Forever” is unfinished

Jay Z GIF - Find & Share on GIPHY

One of the things Jay-Z is known the most for is his ability to write lyrics in his head without writing them down.

Intrigued with the process, David asks Jay process and how long it can take. In explaining Hov admits that some songs never do feel finished.

Jay-Z explained,

“Forever Young took me a month to finish and it never turned out the way I wanted it. It went on to be a very successful song for me, but it still bothers me that I didn’t finish it the way I wanted to.”


The Trump administration is a good thing

Awkward Jay Z GIF - Find & Share on GIPHY

If there have been any proponents to Trump, it’s defiantly been Jay-Z.

Conservative pundits like Tomi Lauren has gone after him simply for being invited to the White House and he’s always been vocal about his disdain toward his leadership.

But when talking to Letterman he did manage to find a silverzlining. I think it’s actually a great thing.” He explained:

“What he’s forcing people to do is have a conversation and people to band together and work together. Like, you can’t really address something that’s not revealed. He’s bringing out an ugly side of America that we wanted to believe was gone and it’s still here. We still gotta deal with it.”

Watch the rest on the interview on Netflix.

The art of finesse: 3 ways being resourceful will help you secure the bag

Finesse is a word that has seemed to come to the forefront of the culture lately.

I’ve never heard it in as many rap songs or coming out of kids’ mouths before as much as I do today. The formal definition of, “intricate and refined delicacy” has garnered a different interpretation over time.

To this generation, it reads, “trying to get something in a slick way,” or “to make a way when there isn’t.” We all can use finesse in our lives. If we master its effect and principles, it can become a very valuable skill set.

From figuring it out on the go to networking and building relationships with mentors, finessing is an attribute that helps us navigate through some of life’s jams.

You would not always go to land in a favorable position. The hands your dealt aren’t always going to look good, but it’s still up to us to try and squeeze whatever good we can out of it regardless. That’s what finesse embodies.

There are certain areas in our lives where we’re going to need finesse. The more knowledgeable we are one with it means to finesse, the more prepared we’ll be when tasked in these situations.

Cohabitation is a must

If you didn’t have siblings, you learned this at school, and if you were homeschooled, you learned it in the workplace — in life, you must coexist with people.

Sometimes you’ll like them, sometimes you won’t. Sometimes you think you’ll know them, then they’ll do something you’d least expect.

Either way, sharing space with others takes a delicate managing of emotions and constant sacrifice of ego for the sake of civility.

That’s a finesse like none other.

Whether it’s a job you don’t want to be at, under a boss that’s unfair or with the worst co-workers ever, or not having enough employees in your company to do what you need, you’re going to have to learn how to be resourceful despite the odds. That means being able to show up, show face, and collect the bag at the same time.

Without finesse you can say something you don’t mean, walk out of an opportunity too soon or miss an opportunity completely.

Finessing is showing composure, professionalism in high pressure situations and when you’re forced to be around individuals who don’t reciprocate it. It’s knowing how to move in a room full of vultures.

Being amphibious in every environment is a sign of using finesse.


Always be in good favor

You never know how valuable a relationship can be or what it can do for your career later on. That’s why you should always strive to be in a favorable light to every relationship you come into.

If the majority of people you come across maintain a good impression of you, when the timing is right, you can finesse a possible job lead out of the relationship.

The type of finesse you need to attain favor in your relationships may have to include you making someone think you’re their friend even when you aren’t. That could be the difference between you surviving the department downsize over another coworker.

When you tread with finesse, you think three moves ahead and prepare accordingly.


Figuring it out on the go

In life you may find yourself in the crosshairs of a situation that’s out of your control, where you have to figure it out on the go. It’s in those situations where you’re going to need finesse the most.

Finesse is thinking on the go, improvising, feeling empowered to do what needs to be done to get things done.

Risks, which are so important to take, are more daunting without the skill of finesse. We wouldn’t be prepared to make a way out of no way. When we’re ready to finesse, we’re not afraid to take leaps of faith.

That’s going to take studying tutorials on YouTube, pulling all-nighters or whatever it else takes to level up. When we are comfortable in our ability to finesse, we’re more inclined to put ourselves in positions to win.

Whether it’s who you live with, the people you win over or your ability to adapt, there are always going to be areas in life where you need finesse.

Once we master it, we’ll find ourselves ready for whatever life throws at us.

Don’t sleep on your dreams. Use your day job to fuel your side hustle.

The plight of the creative is that they have to take up professions outside of their expertise, interests and often times their major, in order to to support themselves.

Aspiring musicians as bartenders, photographers hustling in teaching gigs, entrepreneurs at desk jobs, and etc. An artist in an office setting is a theme common to many across a variety of professions, no matter the medium. And if you look closer, you’ll see that it’s not only artists who are working two jobs either.

Last year in August, the Labor Department reported that 7.6 million workers held multiple jobs, up 2% from 7.4 million in July 2016. That’s back to back highs not seen in over 20 years.

It’s pretty much understood now — we’ll probably have to do a lot of what we don’t want to do, to get a crack at doing what we love. It’s become a part of the American work culture.

It’s easy to lose momentum. It’s easy to become fatigued. It’s easy to lose hope. Our spirits are on the line a lot of times at these day jobs, and it’s when we leave battered and broken, that we forget to clock in to a job that matters.

That’s the very reason we must learn the balance between our night and day jobs. No matter how wild or to which height our aspirations stretch, if we do not invest in the professions that edify us as much as the ones that pays the bills, we’ll be in jeopardy of losing ourselves. This is how best not to do that.

The day job

It’s easy to lose yourself in the repetition of a day job.

The process forces more hours of doing what we don’t like rather than what we do, forcing us to lose our identity along the way. Because it pays more, it ends up meaning more, and efforts that should go into creative juices, are all spent or wasted once the day’s responsibilities are fulfilled.

But a good way to prevent losing yourself in the toil of these day jobs is to view the time we spend there as time invested.

Every second we spend working a job that’s not in our career should be seen as efforts to acquire the materials it takes to continue doing what we love. It’s a perspective that can a day job go from feeling like a life sentence to a game plan.

Instead of the newest Air Jordans or festival tickets, paychecks feel more responsibly spent when it’s making that night job more realistic or bringing that entrepreneurial idea to life.

We’re not going to squander hardworking minutes on the material and temporary when we view our time spent as the means to eventually make our dreams come true.

Day jobs suck, but when we leverage them to our advantage in the way we see fit, it makes them significantly more worth while.


The night job (the side hustle)

Our night jobs are our dreams. Its what we squeeze in; what we find time for, not what we necessarily have time for.

It’s the music we never get the chance to create, the stand-up career you’ve been building; you know, the startup idea you’ve been working on for some time now.

The problem with night jobs however, is that too many times they end up being neglected. For one too many reasons, our night jobs — the jobs that can’t feed us, the jobs we would probably do for free if it came with shelter — don’t receive the intention they need and a lot of times it’s due to the day jobs that we try and balance them with.

If we spend too much energy working on someone else’s dream, we’ll end up losing focus on ours, and for many, end up losing sight of the dream completely.

You ever wonder how people get caught up in the same mediocre job for years? Those are the people who lost sight of job number two; they let the day job dominate — that cannot be you.


How to invest in yourself

Investing in yourself takes intention. It’s not enough to have the desire or to even have the vision. As time ticks, the proof in how badly you want to pursue your hearts desire will be evidenced by how much time you spend investing in whatever that dream is.

No excuse will be good enough, especially if the excuse is your day job.

We are mandated to ensure that the same amount of energy that goes into our day job is equally distributed into our night jobs. And if both our day and night jobs aren’t our dream jobs, it’s still important we figure out how to put the proper time into whatever that dream is.

We cannot go through everyday life neglecting what our purpose is. The demands of life are great, but the regret of a dream deferred is greater. There is too much time in the day to get it done. Our challenge is to figure it out.

Consider how many hours a week you devote to your day job. If it does not match what you put into your night job, then you have a problem.

Let your day job be a barometer to how much you invest into your dream. If you at least matching that effort, your life will change drastically. Trust.

Curren$y shows why he’s the most consistent rapper in the game with ‘Parking Lot Music’

It’s hard to think of anyone who has had a more comfortable hold on their career than Curren$y.

At will, he can put out whatever he wants whenever he wants. Promo or no promo, no matter. His sound and fanbase is solid.

It’s what you reap after three different labels and seven years of underground releases before even making your official debut.

Last week on March 28th, we saw the effect of Curren$y’s much appreciated career again as he, after failing to come through on his March 16th promise to release his 9th studio album Back at Bernies, released the EP Parking Lot Music instead, going number one in iTunes hip/hop rap category in one day.

The nine-track mixtape is light on features, enlisting only Casey Veggies, E-40 and Ty Dolla $ign, but captures his signature sound to the letter. It’s almost as if he was sitting on this body of work in case of emergency, it’s as cohesive as they come top to bottom.

This makes Curren$y’s second studio album of the year following his February 24th release, The Spring Collection and further shows the power of consistency.

He released a project every month in 2016 and kept that pace up for a good part of 2017, too. It’s why he can sell out shows, why he fanbase sticks with him and why he can appear on your iTunes charts seemingly out of nowhere with no real spotlight promotion.

I think the lesson we learn from Curren$y is the value in making music for yourself — or doing whatever you passion is for you. By way of simply making the music he loves, he’s amassed a following of individuals who, for the most part, like the same things.

Often times people feel like they need everyone to like them for them to make impact or to “be on,” when really, you just need the right people. Your people.

Parking Lot Music is a perfect holdover for his highly anticipated Weekend at Bernies sequel. If you haven’t checked it out, do so below.

How to finesse failure: A three-step guide to follow when life goes left

None of us would have the life we have now if it went exactly the way we wanted it. For better or worse, we don’t always call the shots.

We can try our hardest, put our best foot forward, exert every ounce of our best effort and still not have a favorable outcome. That’s life.

You can call them failures, closed doors, unfortunate events or whatever makes you sleep better at night, but the truth is they’re going to come. And it’s for this reason why it’s imperative we know what and what not to do when things don’t work out.

Unprepared failures can take the wind out your sail. It can rob you of your confidence, have you second guessing yourself and even blind your with false illusions.

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Suddenly, you’re not making any progress and you’re unhappy. Thoughts of if you’re good enough begin to creep in your head and everything you’ve been work on leading up to that one mistake goes out the window.

We should treat failures the way quarterbacks should treat interceptions: with short-term memory. When you hear success stories and testimonials of comebacks, they’re usually of people who’ve adapted some kind of response-method to failing — a way to use the failure for good.

It’s easy to get in a rut, but that does not mean we have to stay there. When we don’t take the failures too hard, keep the loss at minimum and allow ourselves to get better, failures wont be as scary.

Do not overquantify the failure

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One of the first things we do when we mess up or when we get a “no” is let that one mishap define our entire life. Rule number one to failing is not to overquantify the failure.

When cannot dwell on the negative. While that doesn’t give us the permission to turn a blind eye to every mistake we make, our job is to accept it for what it is and move on. Nothing more, nothing less.

Whether its an emplyer saying you didn’t get the gig, a school saying you didn’t get in or an audition you didn’t land, if we give that one program all the power, we block all the countless possibilities that may be an even better fit.

Take every loss for what it is and move on. Never let a mistake ruin you.


Do not allow yourself to snowball

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A lot of times when things don’t work out in our favor, or when we’ve had a perceived failure, we allow ourselves to sulk and spiral down into counterproductive decision-making.

Because we don’t know how to handle failure, we allow ourselves to think all is lost and that we no longer have anything to lose. But one step back does not mean you have to start from ground zero.

The faster we pick ourselves up, the faster we’ll be back on track. It may be discouraging and even pointless, but continuing is our only responsibility. Perfection is a myth, so we shouldn’t see one failure as conclusive.

The lie is that the journey is one without flaws. That unless it’s smooth and seamless, it isn’t right. But that’s far from the truth.


Do not rush the process

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The last and equally important thing to remember when you fail is to not rush the process. You’re learning, you’re figuring things out, you’re improving. Getting mad over every fall and shortcoming is only going to frustrate you.

Egos get crushed while chasing greatness. You won’t make it if you look for a shortcut around every failure. You won’t see your dreams come true if every failure comes with impatience to learn where you went left.

Life is about trusting the process. We must understand that everything wont be for us; that, even though things may not work out one way, that doesn’t mean it’s the end of the world, it just means that there’s something else in store for you.

When we rush the process we’ll take every failure personally instead of seeing it as development, we’ll dive into opportunities that aren’t best suited for us because we’re tired of trying, or we’ll just give up completely.

Those who win know how to fail, and that takes not giving failures too much credence, not thinking one failure has done us in and having patience.

Once we master these we’ll be prepared for failure that comes our way and ready to rebound past it.

Who is Trouble? The Atlanta rapper with the breakout album ‘Edgewood’

“I can’t believe this pussy n**** tryna beef about this hoe. This a freak, this ain’t yo hoe. You ain’t street, boy. You a hoe.”

These are lyrics to the track “Pull Dat Cash Out,” the fourth track of Trouble’s debut studio album Edgewood, released Friday, March 23rd.

If you’ve ever followed the Trouble, you know the raw, unfiltered content that comes with his lyrics has always been apart of his persona.

Much like his breakout hit “Bussin,” which was the hit off his first ever tape, December 17th, back in 2011, Trouble has never been shy to display the product his environment has turned him into. The only difference now is that he’s major.

Being that Trouble singed to Mike WiLL Made-It’s Ear Drummer Records earlier this month and being that Edgewood was also executively produced by Mike WiLL, as you can imagine, the Atlanta product had all the resources he needed at his disposal.

The 16-track album has features from Drake, Quavo, The Weeknd, Boosie Badazz, and Fetty Wap. Add in some stellar mixing and mastering as only you can imagine Mike WiLL would demand, plus Trouble held his own the entire time too.

Titled after the East Atlanta hood the raised him, Edgewood shows off Trouble’s storytelling ability, song-making talent and, of course, his raw, to-the-bone authenticity.

The addition of Mike WiLL elevates what makes Trouble great. It’s what we saw in 2011’s December 17th and in his 2016 project Skoobzilla — a passion and thoroughness that can’t be denied. It’s part of the reason Mike WiLL signed him in the first place. In a statement to Complex, he details what caught his eye.

“I’ve been watching his grind for years now, since we were young as fuck, coming up in Atlanta on the music scene, trying to make something out of nothing. Trouble is the only person from the city who’s going to give you that raw, pure, honest, real rap, mixed with originality, new flavor, new flows and new lingo. He has the grind, work ethic, and dedication to back it up and the city knows.”

In a city that’s highly competitive with new talent exploding every season, for someone who’s been in the game since 2011 to make a statement album in 2018 says a lot.

Trouble’s scruffy, aggressive flow and his imagery play well against Mike WiLL’s ear for instrumentals. It gives them both versatility and a range of moods to go between. You get anthems, motivational joints, party songs and of course the classic trap vibes.

Despite the big name features, some go the best tracks are stand alone Trouble joints.

“My Boy” and “Kesha Dem” are perfect examples of Trouble showing why he deserves a max contract. From the hooks to the verses, he shows he can bring character to a song as well as making a song thats sellable.

You’re not going to see many albums this well put together with Trouble’s story. He and Mike WiLL bring Edgewood to life and it’s definitely worth a spin.

Know your circle: Why you need the right people to get to the right places

You’re going to have to be picky about your friend group if you want to go far in life. I’m talking pretentious, Regina George, “mean girls” picky with your selection process — basically be a snob about who you surround yourself with. Often when talking about the sacrifices of success, the cold-blooded, sociopathic necessities get left out.

Yes, it’s going to take working on off days, getting up earlier, and choosing the more difficult path, but it also takes recognition of the who’s in your life and a willingness to uproot them when necessary.

We’ve heard it over and over again in a variety of ways: birds of a feather flock together, who you spend your time with you become, you are an average of the five people we spend the most time with, and so on and so forth.

But for a lot of us, these warnings are nothing more than white noise. There’s no real vetting process when it comes to the people we allow or continue to remain in our lives, and that’s half the battle when it comes to achieving success.

I think what makes adjusting our personal circle hard for a lot of us is the act of letting people go. Especially when it comes to friends, whether that individual contributes to our success our not, we want to keep them around.

In part it’s because finding people you can relate to and trust is hard, but a lot of the times it’s because we’re afraid of being alone. It all comes down to how serious we are about success and being aware of all which detracts from it.

If we treat success like professional athletes treat their bodies, we would have been cut people out of our lives. There’s an obsessive attention to detail that must take place when in pursuit of greatness that includes the people we’re close to.

If the habits don’t line up, the influence isn’t productive and the visions aren’t at least remotely parallel, an executive decision must be made.

Building a habit everyday

Expertise is achieved though consistent repetition (or as we like to call it 10K80). A habitual lifestyle allows you to hone practice so you can execute with the highest quality.

If the people you’re around enable bad habits or don’t encourage good ones, what place do they have in close proximity to you?

It doesn’t matter how long homie from grade school has had your back or how many times ol’ girl rolled one for you. The crazy times you guys shared in college and your wing-woman should fade as that lifestyle does.

If you’re chasing something bigger than anyone you know, then there are probably things you do that no one else is doing. Until you find people who assimilate to any new behavior or match your level of commitment, they’re nothing but distractions.

Appreciate them from afar and do what needs to be done to get where you need to go.


Curating the positive influences in your life

Surrounding yourself with the right people goes beyond just their habits, too.

Even after you’ve dropped the bad habits and your lifestyle change was respected, if their influence still doesn’t contribute to the bigger picture, their presence alone would still be an endangerment to how far you go in life.

Since infancy we’ve been mimicking others. We pick up on what our parents say, what our friends think is cool, and even to how we handle different situations. That doesn’t change when we’re older.

We can depend on our focus, but only for so long. When we’re lacking or when we’re feeling weak, we’re going to need the people standing next to us to give us something tangible to draw influence from. That’s not going to be your best friend who sells weed or your cousin who lives with him mom, no matter how long they’ve had your back.

We can be on point for 90 percent of the time but in moments of weakness, if our circle has nothing edifying for us, we’ll slip into a lifestyle that directly opposes where we’re supposed to be going.

What we do everyday has a direct influence on somebody. Our habits and how we go about life is impressionable. So, if you show work ethic, yet you’re only seeing laziness around you, the give and take dynamic is off balance.


How do I do this?

Having the right people in you life comes down to a decision. A decision for yourself, a decision for your future and a decision for your friends.

It doesn’t always mean shedding them or deleting phone numbers as much as it’s an effort of limiting interaction and time spent. But most importantly, it’s what you do rather than what you say.

If you’re serious about a lifestyle change and you begin moving in a way that organically limits the time you spend with an individual, it’ll be something they bring up. Then you’ll have the perfect opportunity to communicate the energy level you’re on.

What’s cool is that most times you’ll be giving space to fail — usually new lifestyles don’t stick. But when you do stick it out, they’ll either respect it and be the friend you need or emulate your focus.

It’s tough, but you have to picky about the people you’re around. You don’t deserve to be a prisoner to the friends you’ve had you’re entire life, especially if they’re holding you back. You’re not subject to loyalty when it’s not contributing to where you want to go.

It’s time for phrases like “arm sharpens arm” to be taken more than a cute antidote. It’s time that we become intentional about our personnel. Team is important; so recruit them wisely and know your circle.